London and Its Environs Described, vol. 1 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 1 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
On an altar, in the same taste, but differently ornamented, sits the
statue of the Lady Elizabeth Russel, the daughter of Lord Russel. This
statue is of white alabaster, and the Lady is represented in a
sleeping posture. Your guides say, that she died with a prick of her
finger; but this story has no other foundation, than a misapprehension
of the statuary’s design; for having represented her asleep, and
pointing with her finger to a death’s head under her right foot, it
has been supposed, by the position of her finger pointing downwards,
that it was bleeding, and that this had closed her eyes in death;
though the artist’s design seems rather to allude to the composed
situation of her mind at the approach of death, which she considered
only as a profound sleep, from which she was again to wake to a joyful
resurrection, of which the motto under her feet, is an evident
illustration; _Dormit, non mortua est_; “She is not dead, but
sleepeth.” The Latin inscription on the scroll beneath, only tells
that this monument was erected to her memory by her afflicted sister
Anne. The device is an eagle, the emblem of eternity, resting on a
florilege of roses, &c.
Within the iron rails that inclose this last monument, is a
magnificent one to the memory of John Lord Russel, son and heir to
Francis Earl of Bedford, and of his young son Francis, by Elizabeth
the daughter of Sir Anthony Cook, Knt. This monument is of various
coloured marble and alabaster, and is adorned with gilding. Lord
Russel is represented lying in his robes, with his infant son at his
feet. His Lady, who erected this tomb, was esteemed the Sappho of the
age, and was not only an excellent poetess, but mistress of the
learned languages; and five epitaphs on this tomb are of her
composition, three of which are in Latin, one in Greek, and the other
in English, which last is here transcribed as a specimen of the rest,
that are to the same purpose:
Right noble twice, by virtue, and by birth,
Of Heaven lov’d, and honour’d on the earth:
His country’s hope, his kindred’s chief delight,
My husband dear, more the world’s fair light,
Death hath me ’reft. But I from death will take
His memory, to whom this tomb I make.
John was his name (ah, was!) wretch, must I say;
Lord Russel once, now my tear-thirsty clay.
In this chapel is a monument partly enclosed, to the memory of Talbot
Earl of Shrewsbury and his Lady, who are represented lying on a black
marble table supported by an alabaster pedestal. This monument is
adorned with variegated marble finely carved. The inscription contains
his titles and character, which is a very noble one, and informs us
that he died on the 8th of February 1617, in the fifty-seventh year of
his age.
Public-domain text, read in full here on John Shaqi.
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