London and Its Environs Described, vol. 1 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 1 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
The cloud-cap’d towers, the gorgeous palaces,
The solemn temples, the great globe itself;
Yea, all which it inherits, shall dissolve,
And like the baseless fabric of a vision,
Leave not a wreck behind.
Immediately over his head upon a curious piece of dark-coloured
marble, is the following inscription, in capital letters raised in
gold:
GULIELMO SHAKESPEAR
ANNO POST MORTEM CXXIV.
AMOR PUBLICUS POSUIT.
The heads on the pedestal representing Henry V. Richard III. and Queen
Elizabeth, three principal characters in his plays, are likewise
proper ornaments to grace his tomb. In short, the taste that is here
shewn, does honour to those great names under whose direction, by the
public favour, it was so elegantly constructed; these were the Earl of
Burlington, Dr. Mead, Mr. Pope, and Mr. Martin. It was designed by
Kent, and executed by Scheemakers; and the expence defrayed by the
grateful contributions of the public.
Mr. Fleetwood, then Master of Drury Lane Theatre, and Mr. Rich of
Covent Garden, gave each a benefit, arising from one of his own plays,
towards it, and the Dean and Chapter made a present of the ground.
15. The next monument is a very fine one to the memory of Nicholas
Rowe, Esq; and his only daughter. On a pedestal about twenty inches
high, which stands on an altar, is a fine bust of Mr. Rowe; near it is
his Lady in the deepest affliction, and between both, on a pyramid
behind, is a medalion, with the head of a young Lady in relief. On the
front of the pedestal is this inscription:
To the memory of Nicholas Rowe, Esq; who died in 1718, aged
forty-five, and of Charlotte his only daughter, wife of Henry
Fane, Esq; who inheriting her father’s spirit, and amiable in
her own innocence and beauty, died in the 23d year of her age,
1739.
Underneath upon the front of the altar are these lines:
Thy reliques, Rowe! to this sad shrine we trust,
And near thy Shakespear place thy honoured bust.
Oh! skill’d, next him, to draw the tender tear,
For never heart felt passion more sincere:
To nobler sentiments to fire the brave,
For never Briton more disdain’d a slave!
Peace to thy gentle shade, and endless rest,
Blest in thy genius, in thy love too blest!
And blest, that timely from our scene remov’d,
Thy soul enjoys that liberty it lov’d.
To these so mourn’d in death, so lov’d in life,
The childless Mother, and the widow’d Wife,
With tears inscribes this monumental stone,
That holds their ashes, and expects her own.
Public-domain text, read in full here on John Shaqi.
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