The Abbey church, which was stripped of many of its decorations by Henry VIII. and was much damaged both within and without during the unhappy civil commotions that defaced the ancient beauty of most of the religious houses in this kingdom, has continued from the death of Henry VII. almost to the present time, without any other considerable repairs, and was gradually falling to ruin, when the Parliament interposed, and ordered a thorough reparation at the national expence. This venerable fabric has been accordingly new coated on the outside, except that part called Henry the Seventh’s chapel, which is indeed a separate building: and the west end has been adorned with two new stately towers that have been lately rebuilt, in such a manner as to be thought equal in point of workmanship to any part of the ancient building; but though such pains have been taken in the coating, to preserve the ancient Gothic grandeur, that this church in its distant prospect has all the venerable majesty of its former state, yet the beautiful carving with which it was once adorned, is irretrievably lost; the buttresses, once capped with turrets, are now made in plain pyramidical forms, and topped with freestone; and the statues of our ancient Kings that formerly stood in niches, near the tops of those buttresses, are for the most part removed, and their broken fragments lodged in the roof of Henry the Seventh’s chapel. Three of these statues are still standing next the towers on the north side, and indeed that is the only side where you can take a view of the Abbey, the other side being so incumbered with buildings, that even its situation cannot be distinguished. What next to the new towers principally engages the attention on the outside, is the Gothic portico which leads into the north cross, which by some has been stiled _the Beautiful_, or _Solomon’s Gate_. This was probably built by Richard II. as his arms carved in stone was formerly over the gate. It has been lately beautified, and over it is a new window admirably well executed. Besides these there is little in the outward appearance capable of engaging the attention, and its principal beauties are to be found within. The author of the work entitled _English Architecture_, seems to prefer the Gothic to the Grecian architecture, as most suited to the purposes of devotion, and gives this edifice as an instance, “There is in it, says he, a majesty and grandeur, a sedate, and if we may so speak, religious dignity, which immediately strikes the imagination; and never failed to impress on the most insensible observer, that holy awe which should attend, and which always disposes the mind to devotion.” But this holy awe, thus mechanically incited, would be as friendly to Paganism as to Christianity; and indeed, this awe is so far from being holy, that it is a thing entirely distinct from rational piety and devotion, and may be felt without any inclination to enter the choir.