London and Its Environs Described, vol. 1 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It — John Shaqi
London and Its Environs Described, vol. 1 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 1 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
but these are almost all concealed by the monuments of the
dead placed before them, many of which are extremely noble, and which we
shall particularly examine after having gone through the several parts
of the edifice.
After viewing the open part of the church, the next thing to be seen is
the choir, which can only be done during the times of divine service.
The grand entrance into it is by a pair of fine iron gates, on each side
of which is a very magnificent tomb. The floor is paved with the finest
black and white marble. The ancient stalls are covered with Gothic acute
arches, supported by small iron pillars, and are painted purple; but
what is most worthy of observation, is an ancient portrait near the
pulpit, of Richard II. sitting in a gilt chair, dressed in a green vest
flowered with gold, with gold shoes powdered with pearls. This piece is
six feet eleven inches in length, and three feet seven inches in
breadth; but the lower part is much defaced.
The next thing worthy of observation is the fine altar enclos’d with a
curious balustrade, within which is a pavement of mosaic work, laid at
the expence of Abbot Ware, in the year 1272, and is said to be one of
the most beautiful of its kind in the world: the stones of which it is
composed are porphyry, jasper, lydian and serpentine. The altar is a
beautiful piece of marble, removed from Whitehall, and presented to this
church by order of her majesty Queen Anne. On each side of the altar are
doors, opening into St. Edward’s chapel.
_Of the several Chapels in Westminster Abbey._ Besides that of Henry
VII. which, as we have already observed, is a separate building, and
will therefore be mentioned by itself when we have finished our survey
of the Abbey, there are ten chapels, round that of St. Edward the
Confessor, which stands as it were in the center, and, as has been said,
is inclosed in the body of the church, at the east end of the choir,
behind the altar; these, beginning from the north cross, and passing
round to the south cross, are in the following order: St. Andrew’s, St.
Michael’s, St. John the Evangelist’s, Islip’s chapel, St. John the
Baptist’s, St. Paul’s, Henry the Fifth’s, St. Nicholas’s, St. Edmund’s,
and St. Benedict’s.
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