London and Its Environs Described, vol. 2 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 2 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
“By this account you will see that most of my time is
conjugally spent at home; and consequently you will blame my
laziness more than ever, for not employing it in a way which
your partiality is wont to think me capable of: therefore I am
obliged to go on with this trifling description, as some
excuse for my idleness. But how such a description itself is
excusable, is what I should be very much in pain about, if I
thought any body could see it besides yourself, who are too
good a judge in all things to mistake a friend’s compliance in
a private letter, for the least touch of vanity.
“The avenues to this house are along St. James’s Park, through
rows of goodly elms on one hand, and gay flourishing limes on
the other; that for coaches, this for walking; with the Mall
lying betwixt them. This reaches to my iron pallisade that
encompasses a square court, which has in the midst a great
basin with statues and water-works; and from its entrance
rises all the way imperceptibly, till we mount to a terrace in
the front of a large hall, paved with square white stones
mixed with a dark-colour’d marble; the walls of it covered
with a set of pictures done in the school of Raphael. Out of
this on the right hand we go into a parlour thirty-three feet
by thirty-nine, with a niche fifteen feet broad for a
beausette, paved with white marble, and placed within an arch
with pilasters of divers colours, the upper part of which as
high as the ceiling is painted by Ricci.
Public-domain text, read in full here on John Shaqi.
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