Over the door. The adventure of Don Quixote and the barber, by a Spanish painter. Fronting the landing place at the top. The portrait of the Duchess of Mantua, grand daughter to the Emperor Charles the Fifth, with her son in her lap, who was the last Duke of Mantua, with some allegorical figures, armour, &c. by Giovanni Benedetto Castiglione. Under it. A landscape, and a musical conversation, painted by Sir Peter Lely; being the portraits of himself and his whole family, drawn by the life. Fronting the windows. The judgment of Paris, by Gerard Lairest. Under it. The judgment of Midas, by the same hand. Over the looking glass. A young lad blowing bubbles, said to be painted by Hannibal Caracci. In the first parlour. Over the chimney. A Dutch kermis or country fair, painted by Old Pieter Bruegel. On each side of the chimney. Next the window, the portrait of a Turk, by Rembrandt van Rijn. David with the head of Goliath and his sling, by Leonello Spada. Between the windows. A man’s head, said to be that of Massaniello the fisherman who caused the great revolution of Naples, by Salvator Rosa. The portrait of Francisco de Taxis, the first inventor of the posts in Europe, for which reason the direction of them has always remained in one of his family in all the dominions that belongs to the house of Austria, by a hand not certainly known. Over the doors out of the hall, The folly of spending our lives in the pursuit of love, wine, music and play, an emblematical picture, by Johannes Schorel. The Virgin, our Saviour, St. Mary Magdalen, St. Peter, St. John the Baptist, and St. Jerome; by Jacobo Palma, senior, commonly called Old Palma. Over the marble table. The birth of our Saviour, and the adoration of the shepherds, by Giac. Bassan. Under it, in the middle. St. John the Baptist asleep in the desert, by Andrea del Sarto. On both sides of it. Two small sea pieces, a port in the Mediterranean, and a fight with the Turks, by William Vanderveld, junior. Under them, in the middle. An emblematical picture, representing a guardian angel pointing out the way to heaven to a soul, under the figure of a young girl, by Carlino Dolce. On both sides of it. Two very highly finished landscapes on copper, by Salvator Rosa. Between the two doors. The portrait of the Duke of Richmond and Lenox, of the Stuart family, at whole length, with a dog, by Sir Anthony Vandyck. Over the door to the back parlour.