London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It — John Shaqi
London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
The Virgin and our Saviour in the clouds, and the several saints,
patrons of the city of Bologna, by Guido Reni.
Under that.
The nativity of our Saviour, by young Palma.
Over against the chimney.
A large landscape, with the baptism of Queen Candace’s eunuch by St.
Philip, by John Both.
Under it, in the middle.
The inside of a church, by Henry Stenwix, and the figures by Velvet
Brughell.
Under each corner of it.
Two little round pictures, one of them being the head of Mary Magdalen,
and the other that of our Saviour crown’d with thorns; both of them by
Francesco Albani.
Under them.
The shipwreck of St. Paul on the island of Malta, by Adam Elsheimer.
On each side of it.
Two small landscapes on copper, by John Brughell, commonly call’d the
Velvet Brughell.
On both sides of them.
The martyrdom of St. Laurence, by Titiano Vecelli, commonly called Il
Titiano; and St. Sebastian, and other saints, by Filippo Lauri.
Between the door and the window.
The education of Bacchus, by Simon Vouet.
Under it.
The Virgin and our Saviour, and several saints, by Ludovico Caracci.
Under that.
The judgment of Paris, by Giovanni Rottenhammer, the landscape by Paul
Brill.
Between the windows over the glass.
A portrait of a Dominican friar, by Giovanni Lanfrancho.
In the passage room, over the doors.
The portrait of Don Antonio de Leyva, General to Charles the Fifth, who
took Francis the First prisoner at the battle of Pavia. By Il Dosso di
Ferrara.
The portrait of Charles Lewis, the eldest Prince Palatine, by Vandyke.
The portrait of the Lady Anne Carre, Countess of Bedford, by the same.
Over the chimney.
Our Saviour carried before Pontius Pilate, in water colours, by Lucas of
Leyden.
In the bedchamber, over the door.
The portrait of a man in a ruff, by Rubens.
Over the chimney.
A large picture of a curtain, carpet, fruit, &c. by the Maltese, and
Mich. Angelo del Campidoglio.
In the closet.
Over the chimney.
A copy of Raphael’s picture of the Madonna della Seggiola in the palace
of Pitti, at Florence.
Under it.
A small flower piece on copper, by Velvet Brughell.
Over the little closet door.
The portrait of Sir Paul Methuen when a boy.
Over the door next the window.
The picture of a woman, &c. by Albert Durer.
Over the bedchamber door.
A man’s head, by Tintoretto, said to be that of the famous Andrea
Vesalio.
GROVE _street_, Hackney.
Public-domain text, read in full here on John Shaqi.
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