London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
Nearly fronting the gate, are nine or ten steps, leading to the Lord
Mayor’s court, over which is a balcony supported at each end by four
iron pillars in the form of palm trees; by these is a small enclosure
on each side on the top of the steps, used on some occasions as
offices for clerks to write in, each being just sufficient to hold one
person. Under these are two prisons called Little Ease, from the
lowness of the ceiling, by which prisoners were obliged to sit on the
floor; these prisons are intended for city apprentices, who upon
complaint and a strict examination into the offence, were sometimes
committed thither by the Chamberlain, whose office is at the right
hand at the head of the steps. In the front of this balcony is a
clock, on the frame of which is carved the four cardinal virtues, with
the figure of Time, on the top, and a cock on each side of him. But
the most extraordinary figures are yet behind; these are two monstrous
giants which stand on the outside of the balcony close to the wall,
one on each side: they have black and bushy beards; one holds an
halbert, and the other a ball set round with spikes, hanging by a
chain to a long staff. These absurd ornaments, which Mr. Strype
supposes were designed to represent an ancient Briton and a Saxon, are
painted, as if to give them the greater appearance of life, and render
them more formidable to children.
Round the hall are hung up, the standards and colours taken from the
French, at the battle of Ramilies. At the east end are the King’s arms
between the pictures of his present Majesty King George II. and Queen
Caroline; close by the first is Queen Anne, and by the last his late
Majesty King George I. and at the same end of the hall, but on the
north and south sides, are the pictures of King William III. and Queen
Mary fronting each other. The hall is likewise adorned with the
portraits of eighteen Judges, put up by the city as a testimony of
public gratitude for their signal services, in determining the
differences which arose between landlords and tenants, without the
expence of law suits, on rebuilding the city after the fire. These
Judges are all painted at full length in their scarlet gowns; and in
the Lord Mayor’s court there are the portraits of five other Judges
painted in the same manner.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account