London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
The King’s dressing room, which is about twelve feet long, and six
feet wide, has the ceiling painted by Verrio. Mars is sleeping in
Venus’s lap, while several Cupids steal away his armour, sword and
spear, and others are binding his legs and arms with fetters of roses.
The borders are decorated with jessamin, orange trees in pots, and
several sorts of birds. Over the doors are fine flower pieces, by
Baptist. The room is hung with straw-coloured India damask, and the
chair, stools and screen, are covered with the same.
The King’s writing closet is of a triangular form, and has two
windows. The hangings and stools are of a pea-green India damask. A
glass is here so placed, as to shew all the rooms on that side of the
building in one view. Over each door is a flower piece by Baptist, and
over the chimney a fine picture of a great variety of birds, by
Bougdane. There is here a fine collection of china.
Queen Mary’s closet is hung with needle work, said to be wrought with
her own hand; there are also an easy chair, four others, and a screen,
all said to be the work of that excellent Queen. The work is extremely
neat; the figures are well shadowed, perhaps equal to the best
tapestry, and shew great judgment in drawing. Over the chimney piece
is an old painting, said to be Raphael’s, representing Jupiter’s
throne, by which is the thunder, and his eagle in the clouds.
The Queen’s gallery, which is about seventy feet long, and twenty-five
feet wide, is hung with seven beautiful pieces of tapestry,
representing the history of Alexander the Great, and done after the
famous paintings of Le Brun; they are however not placed according to
chronology, for some of the last actions of Alexander’s life are
placed before those which preceded them. Under that part of the
tapestry which represents the story of Alexander and Diogenes, and
which is placed over the chimney piece, is a very neat bust of a Venus
in alabaster standing upon an oval looking-glass, under which are two
doves billing in basso relievo. Among the other furniture in this
gallery, are two very fine tables of Egyptian marble.
Public-domain text, read in full here on John Shaqi.
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