London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
The ceiling of the Queen’s state bed chamber is finely painted by Sir
J. Thorn-hill, who has represented Aurora rising out of the ocean in
her golden chariot, drawn by four white horses. The bed is of crimson
damask; and besides other furniture, the room is adorned with a glass
lustre with silver sockets. Over a large marble chimney piece is a
whole length of King James I. by Van Somer. At his right hand, over
one of the doors, is Queen Anne his consort; on his left, their
daughter the Princess Elizabeth, afterwards Queen of Bohemia; both by
Van Somer. Over the other door is a beautiful whole length of Henry
Prince of Wales, their eldest son, by Van Dyck. In the cornice are
four other portraits, one on each side, viz. his late Majesty K.
George I. his present Majesty King George II. the late Queen Caroline,
and the late Prince of Wales.
The Queen’s drawing room has the ceiling painted by Signor Verrio; in
the middle of which is the late Queen Anne, under the character of
Justice, holding the scales in one hand, and the sword in the other:
she is dressed in a purple robe lined with ermine; and Neptune and
Britannia are holding a crown over her head. The room is hung with
green damask, upon which are placed nine pictures, three on each side
of the room, and three at the end. These were formerly all in one
piece of a great length, as may be very plainly seen from some of the
figures being cut asunder, and placed in different pieces. The whole
is the triumph of Julius Cæsar, and was a long procession of soldiers,
priests, officers of state, &c. at the end of which that Emperor
appears in his triumphal chariot, with Victory holding a laurel crown
over his head. It is painted in water colours upon canvas, by Andrea
Mantegna.
The Queen’s state audience room is hung with rich tapestry,
representing the children of Israel carrying the twelve stones to the
river Jordan, as mentioned in Joshua iv. Here is a fine canopy of
state, and five pictures at full length, the Duke, Dutchess, and
Marchioness of Brunswick their daughter; the Dutchess of Lenox, and
Margaret Queen of Scots, all by Holbein.
The Prince of Wales’s presence chamber is hung with tapestry wrought
with the story of Tobit and Tobias. Here is a canopy of state of green
damask: over one of the doors is Guzman, and over another Gundamor,
two Spanish ambassadors: over the third is Madam Chatillon, the French
Admiral’s lady; and over the chimney, Lewis XIII. of France, with a
walking stick in his hand, and a dog by his side, all by Holbein.
Public-domain text, read in full here on John Shaqi.
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