London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round ItAnonymous
History
London and Its Environs Described, vol. 3 (of 6): Containing an Account of Whatever is Most Remarkable for Grandeur, Elegance, Curiosity or Use, in the City and in the Country Twenty Miles Round It
Anonymous
London (England) -- Description and travel -- Early works to 1800; London (England) -- Gazetteers -- Early works to 1800
The Prince of Wales’s drawing room is hung with tapestry, representing
Elymas the sorcerer struck with blindness; this is taken from one of
the cartons. Over the chimney piece is the Duke of Wirtemburg: over
one of the doors is a whole length of the wife of Philip II. King of
Spain; and over the other, a whole length of Count Mansfield, General
of the Spaniards in the Low Countries, all by Holbein.
The Prince of Wales’s bed chamber has a bed of green damask, and four
pictures also done by Holbein, viz. over the chimney piece is a whole
length of the Duke of Lunenbourg, great grandfather to his present
Majesty; over one of the doors Philip II. King of Spain; over another,
the consort of Christiern IV. King of Denmark; and over the third, a
whole length of the Prince of Parma, Governor of the Netherlands.
In the private dining room are four pictures of the defeat of the
Spanish Armada, by Vande Velde; and over the chimney a very fine one,
by Van Dyck, of the Lord Effingham Howard, Lord High Admiral of
England.
In the Admiral’s gallery are the pictures of the following celebrated
Admirals, Sir George Rooke, Sir Cloudsley Shovel, Sir John Leake, the
Lord Torrington, Admiral Churchill, Sir Stafford Fairborne, Sir John
Jennings, Sir Thomas Hopson, Admiral Beaumont, Sir Thomas Dilks,
Admiral Bembo, Admiral Whetstone, Admiral Wishart, Admiral Graydon,
Admiral Munden; all painted by Dahl, and Sir Godfrey Kneller.
In the room of Beauties, nine ladies are placed in the following
order: the Lady Peterborough, the Lady Ranelagh, the Lady Middleton,
Miss Pitt, the Duchess of St. Alban’s, Lady Essex, Lady Dorset, Queen
Mary, and the Duchess of Grafton. Q. Mary was painted by Wissing, and
all the rest by Sir Godfrey Kneller.
In the Carton gallery are the celebrated cartons of Raphael Urbino, so
called from their being painted on paper. These are seven pieces of
sacred history, taken from the New Testament, and were at first
designed only as patterns for tapestry. For these admirable pieces
Lewis XIV. is said to have offered 100,000 louis d’ors.
These pictures, which may be properly termed coloured drawings on
paper, as big as the life, are painted with great delicacy and beauty
in water colours. The first is the miraculous draught of fishes, in
which Christ appears in the boat with an air of divine gentleness. A
very ingenious modern author, whose words we shall chiefly follow in
the description of these admirable pieces, observes, that the exotic
birds, the magnificent large fowl placed on the shore in the fore
ground, have a sea wildness in them; and, as their food was fish,
contribute to express the business in hand, which is fishing; and
being thus placed on the shore, prevents the heaviness which that part
would otherwise have had, by breaking the parallel lines that would
have been made by the boat, and the base of the picture.
Public-domain text, read in full here on John Shaqi.
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