London Clubs: Their History & TreasuresNevill, Ralph
History
London Clubs: Their History & Treasures
Nevill, Ralph
Clubs -- England -- London; London (England) -- Social life and customs
Garrick excelled in the art of facial expression. When he sat to
Gainsborough, he paid, it is said, no fewer than sixteen visits to his
studio, and on each occasion wrought a change in his features. At length
the painter, declaring he could not paint a man with such a “Protean
phiz,” threw down his brush in despair. Garrick sat to Hogarth as
Fielding, after the novelist’s death, when the painter wished to paint a
posthumous likeness of the great writer. Dressed in a suit of Fielding’s
clothes, the actor cleverly assumed his features, look, and attitude.
Small wonder that Johnson, when he heard that Garrick’s face was growing
wrinkled, exclaimed: “And so it ought, for whose face has experienced so
much wear and tear as his?”
At times this great actor would indulge in very unconventional
behaviour. Acting in a tragedy in which a Mr. Thomas Hurst—who was a
brandy-merchant—took a part, Garrick, conceiving Hurst too tame to
support him, reproved him publicly on the stage. “Mr. Hurst,” said he,
“if you will put MORE _British spirit_ into your _acting_, and LESS in
your _brandy_, you may send me _two gallons_ to-morrow morning.” Whether
the brandy-merchant was offended or not, history does not relate; but he
took care to remember the order, which he sent the following day,
writing at the bottom of the bill of parcels: “As per your order last
night, on the stage of Drury Lane Theatre.”
Garrick once set up a man in a snuff-shop, and actually recommended his
snuff, known as “No. 37,” from the stage, as a result of which the
snuff-merchant realized an ample fortune.
Garrick, as is well known, was not devoid of vanity, and was at times
fond of praising himself. During one evening at the Sublime Society, he
remarked that so many manuscript plays were sent him to read, that in
order to avoid losing them and hurting the feelings of the poor devils
the authors, he made a point of ticketing and labelling the play that
was to be returned, that it might be forthcoming at a moment’s notice.
“A fig for your hypocrisy!” exclaimed Murphy across the table. “You
know, Davy, you mislaid my tragedy two months ago, and I make no doubt
you have lost it.” “Yes,” replied Garrick; “but you forget, you
ungrateful dog, that I offered you more than its value, for you might
have had two manuscript farces in its stead.”
Public-domain text, read in full here on John Shaqi.
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