London Days: A Book of ReminiscencesWarren, Arthur
History
London Days: A Book of Reminiscences
Warren, Arthur
London (England) -- Intellectual life; London (England) -- Social life and customs
"Oh, are you a journalist?" asked Sala.
"I 'm hoping to be. It's an aspiration."
"Desperation, more likely," he said. "Don't do {33} it, young man, not
if there 's a good crossing to sweep in your neighbourhood. Journalism
is the worst trade in the world."
"Every man says that of his own profession," I replied.
"Profession be hanged! What do we profess? We stain paper, and look
as wise as owls, and know a damned sight more than we ever tell. Most
of us bleat in our folds like sheep; few of us have the chance to go
about the world and see things, and even they work like slaves to
entertain the public while their owners take the profits. The worst
trade in the world, sir; work harder, know more than any other--about
human nature, anyhow--and get less for it than any other; what we write
is forgotten the day after it's printed, and when we can't grind out
any more, when they 've squeezed our brains dry, we 're thrown on the
dust-heap to be buried by a benevolent association. Don't go into
journalism unless you own the paper! That's where the profits are--big
circulation and advertising revenue, politics and peerages! I 'm too
old for aiming at ownership now; besides, I 'm a writer, not a screw!
Journalism be hanged. If I 'd been a _chef_ in a millionaire's palace,
or a fashionable hotel, I 'd have done better."
Possibly. At any rate he would have been the prince of _chefs_ as he
was "the prince of journalists", or was it the king the public called
him? He was supposed to earn fabulous sums with his pen. If he earned
them he spent them, for he left nothing when he had "gone west." He
was an artist in {34} cookery, had a knowing taste in wines; he had
been everywhere, seen everything, knew everybody, and on the shortest
possible notice could write an article upon anything or nothing. He
had a flaming face, small, glittering eyes, a build and frontage not
unlike that of Pierpont Morgan of later fame, and a reputation for wit
and story-telling. He had also a reputation for geniality. He was as
genial as a thunderstorm. His rumblings and clatters might pass quite
harmless, or sear you with a flash. His familiar signature was "G.A.S."
"I see you don't believe it," said he, "but you will. Don't say I did
n't warn you."
"Thanks," said I.
"Not in the least," said he. "Go to your doom! What's your paper?"
I said I had written for two or three papers at home, in America, and I
told him the story of the editor who did n't want Rodin. He laughed
until his white waistcoat nearly burst its buttons. "I had an editor
once," said he, "who didn't know the date of the Battle of Waterloo but
was certain that Nelson had saved the day. Journalism a 'profession',
eh? And editors are the High Board of Examiners. But don't mind me.
I 'm like this on wet mornings."
Public-domain text, read in full here on John Shaqi.
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