If one thinks, however, how old London now is, it is rather crazing;
much more crazing than the same sort of thought in the cities of lands
more exclusively associated with antiquity. In Italy you forget the
present; there seems nothing above the past, or only so thin a layer
of actuality that you have scarcely the sense of it. In England you
remember with an effort Briton, and Roman, and Saxon, and Norman, and
the long centuries of the mediaeval and modern English; the living
interests, ambitions, motives, are so dense that you cannot penetrate
them and consort quietly with the dead alone. Men whose names are in the
directory as well as men whose names are in history, keep you company,
and push the shades of heroes, martyrs, saints, poets, and princes
to the wall. They do not shoulder them willingly out of the way, but
helplessly; there is no place in the world where the material present
is so reverently, so tenderly mindful of the material past. Perhaps,
therefore, I felt safe in so largely leaving the English past to the
English present, and, having in London long ago satisfied that hunger
for the old which the new American brings with him to Europe, I now went
about enjoying the modern in its manifold aspects and possibly fancying
characteristic traits where I did not find them. I did not care how
trivial some of these were, but I hesitate to confide to the more
serious reader that I was at one moment much interested in what seemed
the growing informality of Englishmen in dress, as I noted it in the
streets and parks, or thought I noted it.
Public-domain text, read in full here on John Shaqi.
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