Suddenly all London had burst into a passion of straw hats; and where
one lately saw only the variance from silken cylinders to the different
types of derbies and fedoras, there was now the glisten of every shape
of panama, tuscan, and chip head-gear, with a prevalence of the low,
flat-topped hard-brimmed things that mocked with the rigidity of
sheet-iron the conception of straw as a light and yielding material.
Men with as yet only one foot in the grave can easily remember when the
American picked himself out in the London crowd by his summer hat, but
now, in his belated conformity to an extinct ideal, his head is apt
to be one of the few cylindered or derbied heads in the swarming
processions of Piccadilly or the paths in the Park. No shape of straw
hat is peculiar to any class, but the slouching panama is for pecuniary
reasons more the wear of rank and wealth. With a brim flared up in front
and scooped down behind, it justifies its greater acceptance with youth;
age and middle-age wear its weave and the tuscan braid in the fedora
form; and now and then one saw the venerable convention of the cockaded
footman's and coachman's silk hat mocked in straw. No concession more
extreme could be made to the heat, and these strange cylinders, together
with the linen liveries which accompanied them, accented the excesses in
which the English are apt to indulge their common-sense when they decide
to give way to it. They have apparently decided to give way to it in the
dress of both sexes on the bridle-paths of the Park, where individual
caprice is the sole law that obtains amid a general anarchy.
[Illustration: ROTTEN ROW.]
Public-domain text, read in full here on John Shaqi.
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