London Impressions: Etchings and Pictures in Photogravure — John Shaqi
London Impressions: Etchings and Pictures in PhotogravureMeynell, Alice
General
London Impressions: Etchings and Pictures in Photogravure
Meynell, Alice
London (England) -- Description and travel; London (England) -- Pictorial works
The leaves of the street-side tree flutter bright emerald green through
the whole night (out of town the discolouring night) of leafy summer. That
local colour is never quenched, as human blushes are quenched at night. It
rather takes a more conspicuous quality, under the closeness of the
electric light; it is sharply green. Whereas the day has its mists and
veils, and may at times darken a tree nearly black, by setting the sky
alight behind it, the night has none of these shadows. The light of night
is stationary and unchangeable, and there are some solitary trees here and
there that undergo the unshifting illumination at the closest quarters;
the light that knows no hours and makes no journey gleams near upon the
motion of the leaves and glosses their faces. It is beforehand with the
twilight, so that the dusk when it comes finds the place taken, and it
will not let the tree go until the light of day flows in fully, and dawn
is over.
[Illustration: KENSINGTON GARDENS.]
The sharp green of the plane-tree is never covered, nor are the delicately
sprinkled spots of the poplar-leaves mingled and massed, in these solitary
citizen trees. It is in the avenues and glades of Kensington Gardens
that Night has her way. There amends are made for the common day by a
double mystery. Not a tree is so much as to be known by name; all kinds
sigh together in the dark. The mass is sombre and alive, but betrays
neither leaf nor colour. As violently as the spirit of the woods was
driven away, through all the long daylight, by the sound, the breath, the
blackness, and the stamp and seal of London, which permit nothing
visible--not a blade of grass--to go unmarked by the proprietorship of
this despotic city; so swiftly as the spirit of the woods was hooted and
stared into banishment by day, so quickly, so intently, and in such a
union of multitude does it softly return by night. Solitude comes, the
movement of the forest comes, and remoteness, which by day must be sought
where it abides, comes at a stride to London, and sits in the branches of
the trees. Profound is the forest and august the sky whence the great and
melancholy spirit of the woods comes to restore these daily altered elms.
Public-domain text, read in full here on John Shaqi.
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