London Impressions: Etchings and Pictures in PhotogravureMeynell, Alice
General
London Impressions: Etchings and Pictures in Photogravure
Meynell, Alice
London (England) -- Description and travel; London (England) -- Pictorial works
The Embankment stops short at its westward end, in the course of Cheyne
Walk, just below the place where the river leaves a little bend which is
an inlet, an incident, of the long Reach. Call the curve a gulf, and this
is a little bay within it. The bay is a small, forgotten, abiding,
unremarked shore, with a great deal of modern London not only below it,
but above it, on its further side--that is, between it and the vaguest
beginnings of the country. Nevertheless, it is not modern at all. It looks
like the overlooked little bits of cottage, tiled cottage-roof, and
cottage front-garden, that are to be seen forgotten in the roaring streets
of Fulham--true bits of village in the depths of town. But in any case it
is to go, even though the gulf is saved. Let us say at once that there may
be two intelligible opinions as to the Embankment at Westminster and
Charing Cross. There is something due to the worldly dignity of a great
city. The distinction of London was once that it was not a great city
but a great village. It was a little town, widespread; and until the
raising of some of the best of the new buildings on the left bank, there
was nothing conspicuously fine to contradict the village character except
Somerset House. The great stations and the busy Gothic of the Houses of
Parliament were not influential enough for this. Now, however, it is
somewhat different. Two buildings at least in the line of new hotels and
offices seem good enough to make rules. They are not of the dignity of
Somerset House, but they will serve. For a space, then, where they stand,
the village-London is done away. And only for a village-London, a London
keeping its own distinctive character, would a broken, accidental, muddy
shore, with its tidal rhythm of mud and wave, be fit. This left bank at
least is, for a space, _grande ville_. We cannot altogether grudge its
Embankment.
[Illustration: THE CLOCK TOWER, WESTMINSTER.]
But if there is a mile of London village left--and therefore of the most
London-like London--it is at Chelsea. The reason of the County Council's
heart, even, ought to confess thus much. And the village-character is in
its vitality on the curving foreshore of this long Reach. A great part of
the district near is a village of yesterday, and mean enough, but the
river-side of wharf and barge and tidal change is a village river-side of
long ago. It is lowly enough, not mean at all. It is the scene of business
as old as civilisation; man-power and horse-power, and the movement of
wind and water, seem to do the greater part of the work among them. It is
the counterpart of spade cultivation on the Jersey _coteaux_, though this
is all river and that all earth; but both are simple. The chimneys on the
right bank are a long way off, the gasworks higher up are out of sight.
You can forget the great bridges down stream; and looking towards the
light the view is animating.
Public-domain text, read in full here on John Shaqi.
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