John's Wood, Paddington, Kilburn, and Tottenham Court, were widely separated from town by rural walks; these "ways over the country," as a poet of the day describes them, not being always safe for travelers to cross. St. Giles's was still "in the fields," and Charing Cross looked towards the west, upon the fair open parks of the royal domain. But the Strand was becoming a place of increasing traffic, and the houses on both sides were multiplying fast. So valuable did sites become, even in the beginning of the seventeenth century, that earls and bishops parted with portions of their domains in that locality for the erection of houses, and Durham Place changed its stables into an Exchange in 1608. Of the architecture which came into fashion in the reign of James I., three noble specimens remain in London and the neighborhood. Northumberland House, which stands on the spot once occupied by the hospital of St. Mary, finally dissolved at the Reformation, was erected by Henry Howard, earl of Northampton, son of the poet Surrey, and originally called from him Southampton House; he died in 1614. It afterwards took the name of Suffolk House, from its coming into the possession of the earl of Suffolk; its present name was given on the marriage of the daughter of Suffolk with Algernon Percy, tenth earl of Northumberland. It was built with three sides, forming with the river, which washed its court and garden, a magnificent quadrangle. Jansen is the reputed architect, but the original front is considered to have been designed by Christmas, who rebuilt Aldersgate about the same time. The fourth side was afterwards built by the earl of Northumberland, from a design by Inigo Jones. Holland House, at Kensington, now occupied by Lord Holland, belongs to the same period, being erected in 1607 by Sir Walter Cope, and enlarged afterwards by the Earl of Holland, from plans prepared by the illustrious architect just named. These structures are worthy of examination. They evince some lingering traits of the Tudor Gothic, which flourished in the middle of the former age, but exhibit the predominance of that Italian taste which had been introduced in the reign of Elizabeth, and which continued to prevail till it ended in the corrupt and debased style of the last century. The Banqueting House at Whitehall is a more imposing and splendid relic, and presents an instance of the complete triumph of the Italian school of architecture over its predecessors. It was designed by Inigo Jones in the maturity of his genius, and forms only a small part of a vast regal palace, of which the plans are still preserved. The exterior buildings were to have measured eight hundred and seventy-four feet on the east and west sides, and one thousand one hundred and fifty-two on the north and south. The Banqueting House was finished in 1619, and cost £17,000. It is curious to learn, that the great "architect's commission" amounted to no more than 8_s._ 1_d._ a