London Pride, Or, When the World Was YoungerBraddon, M. E. (Mary Elizabeth)
History
London Pride, Or, When the World Was Younger
Braddon, M. E. (Mary Elizabeth)
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; London (England) -- Fiction
Windsor had been thought of in the first place as a residence for the
King; but the law courts had been transferred there, and the judges and
their following had overrun the town, while there was a report of an
infected house there. So it had been resolved that his Majesty should
make a brief residence at Hampton Court, leaving the Queen, the
Duchess, and their belongings at Oxford, whither he could return as
soon as the business of providing for the setting out of the fleet had
been arranged between him and the General, who could travel in a day
backwards and forwards between the Cockpit and Wolsey’s palace.
When this news came they were snowed up at Chilton. Sport of all kinds
had been stopped, and Fareham, who, in his wife’s parlance, lived in
his boots all the winter, had to amuse himself without the aid of horse
and hound; while even walking was made difficult by the snowdrifts that
blocked the lanes, and reduced the face of Nature to one muffled and
monotonous whiteness, while all the edges of the landscape were
outlined vaguely against the misty greyness of the sky.
Hyacinth spent her days half in yawning and sighing, and half in idle
laughter and childish games with Henriette and De Malfort. When she was
gay she was as much a child as her daughter; when she was fretful and
hipped, it was a childish discontent.
They played battledore and shuttlecock in the picture-gallery, and my
lady laughed when her volant struck some reverend judge or venerable
bishop a rap on the nose. They sat for hours twanging guitars, Hyacinth
taking her music-lesson from De Malfort, whose exquisite taste and
touch made a guitar seem a different instrument from that on which his
pupil’s delicate fingers nipped a wiry melody, more suggestive of
finger-nails than music.
He taught her, and took all possible pains in the teaching, and laughed
at her, and told her plainly that she had no talent for music. He told
her that in her hands the finest lute Laux Maler ever made, mellowed by
three centuries, would be but wood and catgut.
“It is the prettiest head in the world, and a forehead as white as
Queen Anne’s,” he said one day, with a light touch on the ringletted
brow, “but there is nothing inside. I wonder if there is anything
here?” and the same light touch fluttered for an instant against her
brocade bodice, at the spot where fancy locates the faculty of loving
and suffering.
Public-domain text, read in full here on John Shaqi.
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