London Pride, Or, When the World Was YoungerBraddon, M. E. (Mary Elizabeth)
History
London Pride, Or, When the World Was Younger
Braddon, M. E. (Mary Elizabeth)
Great Britain -- History -- Charles II, 1660-1685 -- Fiction; London (England) -- Fiction
“You are not to read ‘Le Grand Cyrus,” your aunt tells you, because it
is a romance! That is to say, you are forbidden to peruse the most
faithful history of your own time, and to familiarise yourself with the
persons and minds of great people whom you may never be so fortunate as
to meet in the flesh. I myself, dearest Ange, have had the felicity to
live among these princely persons, to revel in the conversations of the
Hôtel de Rambouillet—not, perhaps, as our grandmother would have told
you, in its most glorious period—but at least while it was still the
focus of all that is choicest in letters and in art. Did we not hear M.
Poquelin read his first comedy before it was represented by Monsieur’s
company in the beautiful theatre at the Palais Royal, built by
Richelieu, when it was the Palais Cardinal? Not read ‘Le Grand Cyrus,’
and on the score of morality! Why, this most delightful book was
written by one of the most moral women in Paris—one of the
chastest—against whose reputation no word of slander has ever been
breathed! It must, indeed, be confessed that Sapho is of an ugliness
which would protect her even were she not guarded by the aegis of
genius. She is one of those fortunate unfortunates who can walk through
the furnace of a Court unscathed, and leave a reputation for modesty in
an age that scarce credits virtue in woman.
“I fear, dear child, that these narrow-minded restrictions of your
convent will leave you of a surpassing ignorance, which may cover you
with confusion when you find yourself in fine company. There are
accomplishments without which youth is no more admired than age and
grey hairs; and to sparkle with wit or astonish with learning is a
necessity for a woman of quality. It is only by the advantages of
education that we can show ourselves superior to such a hussy as
Albemarle’s gutter-bred duchess, who was the faithless wife of a sailor
or barber—I forget which—and who hangs like a millstone upon the
General’s neck now that he has climbed to the zenith. To have perfect
Italian and some Spanish is as needful as to have fine eyes and
complexion nowadays. And to dance admirably is a gift indispensable to
a lady. Alas! I fear that those little feet of yours—I hope they _are_
small—have never been taught to move in a coranto or a contre-danse,
and that you will have to learn the alphabet of dancing at an age when
most women are finished performers. The great Condé, while winning
sieges and battles that surpassed the feats of Greeks and Romans,
contrived to make himself the finest dancer of his day, and won more
admiration in high-bred circles by his graceful movements, which every
one could understand and admire, than by prodigies of valour at Dunkirk
or Nordlingen.”
Public-domain text, read in full here on John Shaqi.
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