Here for the first time she beheld a saloon for whose decoration palaces had been ransacked and churches desecrated—the stolen treasures of many an ancestral mansion, spoil of rough soldiery or city rabble, things that had been slyly stowed away by their possessors during the stern simplicity of the Commonwealth, and had been brought out of their hiding-places and sold to the highest bidder. Gold and silver had been melted down in the Great Rebellion; but art treasures would not serve to pay soldiers or to buy ammunition; so these had escaped the melting-pot. At home and abroad the storehouses of curiosity merchants had been explored to beautify Lady Fareham’s reception-rooms; and in the fading light Angela gazed upon hangings that were worthy of a royal palace, upon Italian crystals and Indian carvings, upon ivory and amber and jade and jasper, upon tables of Florentine mosaic, and ebony cabinets incrusted with rare agates, and upon pictures in frames of massive and elaborate carving, Venetian mirrors which gave back the dying light from a thousand facets, curtains and portières of sumptuous brocade, gold-embroidered, gorgeous with the silken semblance of peacock plumage, done with the needle, from the royal manufactory of the Crown Furniture at the Gobelins. She passed into an ante-room, with tapestried walls, and a divan covered with raised velvet, a music desk of gilded wood, and a spinet, on which was painted the story of Orpheus and Eurydice. Beyond this there was the dining-room, more soberly though no less richly furnished than the saloon. Here the hangings were of Cordovan leather, stamped and gilded with _fleur-de-lys_, suggesting a French origin, and indeed these very hangings had been bought by a Dutch Jew dealer in the time of the Fronde, had belonged to the hated minister Mazarin, and had been sold among other of his effects when he fled from Paris: to vanish for a brief season behind the clouds of public animosity, and to blaze out again, an elderly phoenix, in a new palace, adorned with new treasures of art and industry that made royal princes envious. Angela gazed on all this splendour as one bewildered. In front of that gilded wall, quivering in mid-air, as if it had been painted upon the shaft of light that streamed in from the tall window, her fancy pictured the blood-red cross and the piteous legend, “Lord, have mercy on us!” written in the same blood colour. For herself she had neither horror of the pestilence nor fear of death. Religion had familiarised her mind with the image of the destroyer. From her childhood she had been acquainted with the grave, and with visions of a world beyond the grave. It was not for herself she trembled, but for her sister, and her sister’s children; for Lord Fareham, whose likeness she recalled even at this moment, the grave dark face which Hyacinth had shown her on the locket she wore upon her neck, the face which Sir John said reminded him of Strafford.