Right below my window there are two ridges running in parallel jags of
chimneys, with a crevasse between them to which I can see no bottom.
But a roadway is there. From an acute angle of the window a cornice
overhangs a sheer fall of cliff. That is as near the ground as can be
got from my outlook. Several superior peaks rise out of the
wilderness, where the churches are; and beyond the puzzling middle
distance, where smoke dissolves all form, loom the dock warehouses, a
continuous range of far dark heights. I have thoughts of a venturesome
and lonely journey by moonlight, in and out of the chimney stacks, and
all the way to the distant mountains. It looks inviting, and possible,
by moonlight. And, indeed, any bright day in summer, from my window,
Dockland with its goblin-like chimneys might be the enchanted country
of a child's dream, where shapes, though inanimate, are watchful and
protean. From that silent world legions of grotesques move out of the
shadows at a touch of sunlight, and then, when you turn on them in
surprise, become thin and vague, either phantoms or smoke, and
dissolve. The freakish light shows in little what happens in the long
run to man's handiwork, for it accelerates the speed of change till
change is fast enough for you to watch a town grow and die. You see
that Dockland is unstable, is in flux, alters in colours and form. I
doubt whether the people below are sensitive to this ironic display on
their roofs.
My eyes more frequently go to one place in that high country. In that
distant line of warehouses is a break, and there occasionally I see the
masts and spars of a tall ship, and I remember that beyond my dark
horizon of warehouses is the path down which she has come from the
Indies to Blackwall. I said we were not inland. Cassiopeia is in that
direction, and China over there.
For my outlook is more than the centre of Dockland. I call it the
centre of the world. Our high road is part of the main thoroughfare
from Kensington to Valparaiso. Every wanderer must come this way at
least once in his life. We are the hub whence all roads go to the
circumference. A ship does not go down but we hear the cry of
distress, and the house of a neighbour rocks on the flood and is lost,
casting its people adrift on the blind tides.
Public-domain text, read in full here on John Shaqi.
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