London's Heart: A NovelFarjeon, B. L. (Benjamin Leopold)
General
London's Heart: A Novel
Farjeon, B. L. (Benjamin Leopold)
London (England) -- Fiction
The old man clings to this hope, and nods to Mrs. Podmore, who hurries
out of the house. Then the old man falls to counting the seconds until
Mr. Podmore makes his appearance. He has not long to wait. In a short
time he hears the street-door opened and slammed-to. "That's Mr.
Podmore," says the old man, starting from his chair and listening
anxiously; "I hope he's not too tired to go."
Mr. Podmore seems to be not only too tired to go, but too tired to
come. When he has slammed the street-door, he leans against it, and
dozes. He has no need to close his eyes, for they were closed when he
opened the door. He remains in this position for a few moments, then
shuffles along the passage. Coming to the stairs, he sits upon the
lowest step, and yields to the soft-sleeping murmurs which are
overpowering him. Rousing himself, he sets himself in motion again,
and begins to ascend the stairs, dragging his feet wearily, and falls
asleep again before he arrives at the landing. In this way he reaches
the old man, who is waiting to speak to him, and who is already
tormented by the fear that this is not one of Mr. Podmore's bright
nights.
Mr. Podmore is followed by a dog--a rough, yellow Scotch
terrier--every hair in whose body bristles with watchfulness. It is a
small dog, viciously faithful, and as it waits patiently and
intelligently upon its master's movements, observing every motion with
its watchful grey eyes, it declares clearly, "Here am I, wide awake,
and armed at all points. Touch him if you dare with any but a friendly
hand! Address him at your peril in any but a friendly voice! I'm on
guard, faithful and true, and I can distinguish friends from foes. I
can smell them." No signs of impatience are visible in the dog's
demeanour at Mr. Podmore's slow progress upstairs. It follows its
master's footsteps with serious attention, watches while he dozes,
pricks up its ears as he sets himself in motion again, and now stands
on the landing before the old man with its nose close to its master's
legs.
"Good-evening, Mr. Podmore," says the old man.
"Good-evening."
He blinks at the light which the old man holds in his hands, closes
his eyes, and shows so decided a disposition to lean against nothing,
that the old man has to save him from falling. This arouses him for a
moment, and seeing the door open, he staggers into the room, and sinks
into a chair. He is a well-made man, thirty years of age perhaps, and
belongs unmistakably to the working classes--to one of the most
perilously-worked of the working-classes. He carries a blue-cotton
pocket-handkerchief containing an empty basin and plate which has held
his dinner, and his hands and face are black with dirt. As he sits in
the chair, having fallen rather heavily into it, the dog stretches
itself under the seat, with its nose between its master's legs. You
can see nothing of it but the tip of its nose and its two watchful
grey eyes, steady and clear and humid, on the look-out for squalls.
Public-domain text, read in full here on John Shaqi.
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