For almost three years the letters from Manley had been headed “Cold Spring Ranch.” For quite as long Val had possessed a mental picture of the place--a picture of a gurgly little brook with rocks and watercress and distracting little pools the size of a bathtub, and with a great, frowning boulder--a cliff, almost--at the head. The brook bubbled out and formed a basin in the shadow of the rock. Around it grew trees, unnamed in the picture, it is true, but trees, nevertheless. Below the spring stood a picturesque little cottage. A shack, Manley had written, was but a synonym for a small cottage, and Val had many small cottages in mind, from which she sketched one into her picture. The sun shone on it, and the western breezes flapped white curtains in the windows, and there was a porch where she would swing her hammock and gaze out over the great, beautiful country, fascinating in its very immensity. Somewhere beyond the cottage--“shack,” she usually corrected herself--were the corrals; they were as yet rather impressionistic; high, round, mysterious inclosures forming an effective, if somewhat hazy, background to the picture. She left them to work out their attractive details upon closer acquaintance, for at most they were merely the background. The front yard, however, she dwelt upon, and made aglow with sturdy, bright-hued flowers. Manley had that spring planted sweet peas, and poppies, and pansies, and other things, he wrote her, and they had come up very nicely. Afterward, in a postscript, he answered her oft-repeated questions about the flower garden: The flowers aren't doing as well as they might. They need your tender care. I don't have much time to pet them along. The onions are doing pretty well, but they need weeding badly. In spite of that, the flowers bloomed luxuriantly in her mental picture, though she conscientiously remembered that they weren't doing as well as they might. They were weedy and unkempt, she supposed, but a little time and care would remedy that; and was she not coming to be the mistress of all this, and to make everything beautiful? Besides, the spring, and the brook which ran from it, and the trees which shaded it, were the chief attractions. Perhaps she betrayed a lack of domesticity because she had not been able to “see” the interior of the cottage--“shack”--very clearly. Sunny rooms, white curtains, bright cushions and books, pictures and rugs mingled together rather confusingly in her mind when she dwelt upon the inside of her future home. It would be bright, and cozy, and “homy,” she knew. She would love it because it would be hers and Manley's, and she could do with it what she would. She bothered about that no more than she did about the dresses she would be wearing next year.