There was something queer in Manley's eyes as he looked at her, the length
of the tiny room between them.
“Oh, I beg your pardon. I remember, now, your Fern Hill ethics. I may _go_
to hell, for all of you--you will simply hold back your immaculate, moral
skirts so that I may pass without smirching them; but I must not mention my
destination--that is so unrefined!” He got up from the chair, with a laugh
that was almost a snort. “You refuse to discuss a certain subject, though
it's almost a matter of life and death with me; at least, it was. Your
happiness and my own was at stake, I thought. But it's all right--I needn't
have worried about it. I still have some of the instincts of a gentleman,
and your pure ears shall not be offended by any profanity or any
disagreeable 'conventional confessions.' The absolution, let me say, I
expected to do without.” He started, full of some secret intent, for the
door.
Val humanized suddenly. By the time his fingers touched the door knob she
had read his purpose, had readied his side, and was clutching his arm with
both her hands.
“Manley Fleetwood, what are you going to do?” She was actually panting with
the jump of her heart.
He turned the knob, so that the latch clicked. “Get drunk. Be the drunken
sot you expect me to be. Go to that vulgar place which I must not mention
in your presence. Let go my arm, Val.”
She was all woman, then. She pulled him away from the door and the unnamed
horror which lay outside. She was not the crying sort, but she cried, just
the same--heartbrokenly, her head against his shoulder, as if she herself
were the sinner. She clung to him, she begged him to forgive her hardness.
She learned something which every woman must learn if she would keep a
little happiness in her life: she learned how to forgive the man she loved,
and to trust him afterward.
CHAPTER XIII. ARLINE GIVES A DANCE
A house, it would seem, is almost the least important part of a ranch;
one can camp, with frying pan and blankets, in the shade of a bush or the
shelter of canvas. But to do anything upon a ranch, one must have many
things--burnable things, for the most part, as Manley was to learn by
experience when he left Val at the hotel and rode out, the next day, to
Cold Spring Coulee.
To ride over twenty miles of blackness is depressing enough in itself,
but to find, at the end of the journey, that one's work has all gone
for nothing, and one's money and one's plans and hopes, is worse than
depressing. Manley sat upon his horse and gazed rather blankly at the heap
of black cinders that had been his haystacks, and at the cold embers where
had stood his stables, and at the warped bits of iron that had been his
buckboard, his wagon, his rake and mower--all the things he had gathered
around him in the three years he had spent upon the place.
Public-domain text, read in full here on John Shaqi.
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