Adventure stories; Africa -- Fiction; Hunting guides -- Fiction; Quatermain, Allan (Fictitious character) -- Fiction
“Ah, you brute!” he said, stopping beneath an unusually large skull of
a lion, which was fixed just over the mantelpiece, beneath a long row of
guns, its jaws distended to their utmost width. “Ah, you brute! you have
given me a lot of trouble for the last dozen years, and will, I suppose,
to my dying day.”
“Tell us the yarn, Quatermain,” said Good. “You have often promised to
tell me, and you never have.”
“You had better not ask me to,” he answered, “for it is a longish one.”
“All right,” I said, “the evening is young, and there is some more
port.”
Thus adjured, he filled his pipe from a jar of coarse-cut Boer tobacco
that was always standing on the mantelpiece, and still walking up and
down the room, began--
“It was, I think, in the March of ‘69 that I was up in Sikukuni’s
country. It was just after old Sequati’s time, and Sikukuni had got into
power--I forget how. Anyway, I was there. I had heard that the Bapedi
people had brought down an enormous quantity of ivory from the interior,
and so I started with a waggon-load of goods, and came straight away
from Middelburg to try and trade some of it. It was a risky thing to
go into the country so early, on account of the fever; but I knew that
there were one or two others after that lot of ivory, so I determined
to have a try for it, and take my chance of fever. I had become so tough
from continual knocking about that I did not set it down at much.
“Well, I got on all right for a while. It is a wonderfully beautiful
piece of bush veldt, with great ranges of mountains running through it,
and round granite koppies starting up here and there, looking out like
sentinels over the rolling waste of bush. But it is very hot--hot as a
stew-pan--and when I was there that March, which, of course, is autumn
in this part of Africa, the whole place reeked of fever. Every morning,
as I trekked along down by the Oliphant River, I used to creep from the
waggon at dawn and look out. But there was no river to be seen--only a
long line of billows of what looked like the finest cotton wool tossed
up lightly with a pitchfork. It was the fever mist. Out from among the
scrub, too, came little spirals of vapour, as though there were hundreds
of tiny fires alight in it--reek rising from thousands of tons of
rotting vegetation. It was a beautiful place, but the beauty was the
beauty of death; and all those lines and blots of vapour wrote one great
word across the surface of the country, and that word was ‘fever.’
Public-domain text, read in full here on John Shaqi.
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