"But you look so angry."
"M-no."
"How's the snow track across the fjeld?"
"All right."
I knew there was a deserted hut the family had once lived in, and asked:
"How far is it to your old hut?"
"Not far," said Olga.
Olga Lapp has someone to smile at surely, even if she will not smile at
me. Here she sits in the great forest, pandering to her vanity and sewing
wonderful scrolls on her jacket. On Sunday, no doubt, she will wear it to
church and meet the man whose eyes it is meant to gladden.
I was not anxious to stay any longer with these small beings, these human
grains of sand. As I had slept enough in the afternoon and the moon was
bright, I prepared to leave. After laying in a further supply of reindeer
cheese and whatever other food I could get, I left the hut. But what a
surprise: the bright moonlight was gone, and the sky was overcast; there
was no frost, only mild weather and wet woods. It was spring.
When Olga Lapp saw this, she advised me against leaving; but why should I
listen to her chatter? She came with me a little way into the woods to
direct me, then turned and went back, tiny and queer, her feathers ruffled
like a hen's.
VI
It was difficult to advance. Never mind. A few hours later I found myself
high up on the fjeld; I must have strayed from the path. What is that dark
shape there? A mountain peak. And that over there? Another peak. Let us
pitch camp on the spot, then.
There was a deep goodness and tenderness about this mild night. I sat in
the dark recalling forgotten memories of my childhood, and many
experiences in this place and that. And what a satisfaction it is, too, to
have money in one's pocket, even if one sleeps in the open!
Public-domain text, read in full here on John Shaqi.
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