He stayed that night and next day, and found a means of repaying me by
washing some of my clothes and making himself useful in other ways. There
was a large tub outside the hut--had been since the Lapps lived
there--which was cracked and leaked abundantly, but Solem stopped the
cracks with bacon fat and boiled my clothes in it. It was very funny to
watch him imperturbably skimming off the fat that floated up.
He seemed to want to stay till we had finished the provisions again, and
then to go with me to the village; but when he heard I was going the other
way, to the mountain farm somewhere under the great peaks of the Tore,
where summer visitors stayed and many travelers passed, he wanted to go
there, too. He was a bird of passage.
"Can't I come with you and help you carry?" he asked me. "I'm used to farm
work, too, and perhaps I can get a job there."
VIII
The bustle of spring season had already started at the great farm; men and
animals were awake, the barn re-echoed with lowing the whole day long, and
the goats had long since been let out to pasture.
It was a long way between neighbors here; one or two cotters had cleared
an area in the forest, which they had then bought; apart from that, all
the land in sight belonged to the farm. Many new houses had been built
here as the traffic over the fjelds increased, and gargoyles, homelike and
Norwegian, sat on the gable ends, while the sound of a piano came from the
living-room. Do you know the place? You have been here, and the people of
the farm have asked after you.
Good days, nothing but good days: a suitable transition from solitude. I
speak to the young people who own the homestead now, and to the husband's
old father and young sister Josephine. The old man leaves his room to look
at me. He is terrifyingly old, perhaps ninety; his eyes are worn and
half-crazed, and his figure has shrunk to nothing. He toils with both
hands to drag himself into the day, and each time it is as though he left
his mother's womb anew and found a world before him:
"Look, how strange, there are houses on the farm," he thinks as he gazes
at them. And when the barn doors stand open, he looks at them, too, and
thinks:
"Just like a doorway; what can it be? Looks exactly like a doorway...."
And he stands still a long time staring at it.
But Josephine, the daughter of his latest marriage, is young and plays the
piano for me. Ah, Josephine! As she runs through the garden, her feet are
like a breeze under her skirt. How kind she is to the visitors! Surely she
has seen us coming a long way off, Solem and myself, and sat down to play
the piano. She has gray, pathetic, young girl's hands--hands which confirm
an old observation of mine that one's hands reveal one's sexual character,
showing chastity, indifference, or passion.
Public-domain text, read in full here on John Shaqi.
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