Lord Arthur Savile's Crime; The Portrait of Mr. W.H., and Other Stories — John Shaqi
Lord Arthur Savile's Crime; The Portrait of Mr. W.H., and Other StoriesWilde, Oscar
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Lord Arthur Savile's Crime; The Portrait of Mr. W.H., and Other Stories
Wilde, Oscar
Manners and customs -- Fiction; Short stories, English
‘Not at all, dear Gladys,’ answered the Duchess, waddling towards the
door. ‘I have enjoyed myself immensely, and the cheiropodist, I mean the
cheiromantist, is most interesting. Flora, where can my tortoise-shell
fan be? Oh, thank you, Sir Thomas, so much. And my lace shawl, Flora?
Oh, thank you, Sir Thomas, very kind, I’m sure’; and the worthy creature
finally managed to get downstairs without dropping her scent-bottle more
than twice.
All this time Lord Arthur Savile had remained standing by the fireplace,
with the same feeling of dread over him, the same sickening sense of
coming evil. He smiled sadly at his sister, as she swept past him on
Lord Plymdale’s arm, looking lovely in her pink brocade and pearls, and
he hardly heard Lady Windermere when she called to him to follow her. He
thought of Sybil Merton, and the idea that anything could come between
them made his eyes dim with tears.
Looking at him, one would have said that Nemesis had stolen the shield of
Pallas, and shown him the Gorgon’s head. He seemed turned to stone, and
his face was like marble in its melancholy. He had lived the delicate
and luxurious life of a young man of birth and fortune, a life exquisite
in its freedom from sordid care, its beautiful boyish insouciance; and
now for the first time he became conscious of the terrible mystery of
Destiny, of the awful meaning of Doom.
How mad and monstrous it all seemed! Could it be that written on his
hand, in characters that he could not read himself, but that another
could decipher, was some fearful secret of sin, some blood-red sign of
crime? Was there no escape possible? Were we no better than chessmen,
moved by an unseen power, vessels the potter fashions at his fancy, for
honour or for shame? His reason revolted against it, and yet he felt
that some tragedy was hanging over him, and that he had been suddenly
called upon to bear an intolerable burden. Actors are so fortunate.
They can choose whether they will appear in tragedy or in comedy, whether
they will suffer or make merry, laugh or shed tears. But in real life it
is different. Most men and women are forced to perform parts for which
they have no qualifications. Our Guildensterns play Hamlet for us, and
our Hamlets have to jest like Prince Hal. The world is a stage, but the
play is badly cast.
Suddenly Mr. Podgers entered the room. When he saw Lord Arthur he
started, and his coarse, fat face became a sort of greenish-yellow
colour. The two men’s eyes met, and for a moment there was silence.
‘The Duchess has left one of her gloves here, Lord Arthur, and has asked
me to bring it to her,’ said Mr. Podgers finally. ‘Ah, I see it on the
sofa! Good evening.’
‘Mr. Podgers, I must insist on your giving me a straightforward answer to
a question I am going to put to you.’
‘Another time, Lord Arthur, but the Duchess is anxious. I am afraid I
must go.’
‘You shall not go. The Duchess is in no hurry.’
Public-domain text, read in full here on John Shaqi.
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