Lord Byron as a satirist in verseFuess, Claude Moore
History
Lord Byron as a satirist in verse
Fuess, Claude Moore
Byron, George Gordon Byron, Baron, 1788-1824 -- Criticism and interpretation; Verse satire, English -- History and criticism
The actual stimulus for the enlargement of the poem came, however,
from an external source. Injured vanity, the occasion of the earlier
_Soliloquy of a Bard in the Country_, was also responsible for the
completion of the half-formed satire of which Byron had written to Miss
Pigot. On February 26, 1808, he wrote Becher: “A most violent attack
is preparing for me in the next number of the _Edinburgh Review_.”[56]
The attack alluded to, a criticism of _Hours of Idleness_, unsigned but
probably contributed by Brougham, appeared in the _Edinburgh Review_
for January, 1807; but that number, in accordance with a practice not
then uncommon, was delayed for over a month in going through the press,
and was not actually on sale until March. The article itself, which
has since become notorious for its bad taste, began with the scathing
sentence: “The poetry of this young lord belongs to the class which
neither gods nor men are said to permit.” Its attitude was certainly
not calculated to encourage or soothe the youthful poet, and with his
usual impetuosity, he at once sought a means of redress. Adding an
introduction and a conclusion to his embryonic poem, and inserting an
attack on Jeffrey, whom he supposed to be his critic, he had the whole
privately printed, as _British Bards_, in the autumn of 1808. This
work, revised and enlarged, but with some excisions,[57] making a poem
of 696 lines, was published anonymously in March, 1809, under the title
_English Bards, and Scotch Reviewers_. A letter of January 25, 1809, to
Dallas proves that the poet had intended to conceal his authorship by
inserting a slighting reference to “minor Byron,”[58] but this ruse was
not retained in the published volume.
The satire, as Byron told Medwin, made a prodigious impression. A
second edition in October, 1809, was amplified by several interpolated
passages so that it comprised 1050 lines. A third and a fourth edition
were demanded while Byron was on his travels, and the fifth, including
the 1070 lines of the poem as it is ordinarily printed to-day, was
suppressed by him in 1811. In the second and succeeding editions his
name was on the title-page.
Public-domain text, read in full here on John Shaqi.
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