LORD of the SILENT DEATH
by ROBERT MOORE WILLIAMS
[Transcriber's Note: This etext was produced from
Comet December 40.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
Death came out of a box and stalked through the streets of Chicago.
Samuel Morton found the box in Asia Minor, in a niche in the tomb of a
forgotten Sumerian king, and not being able to open it, brought it back
to this country with him. Morton was an archeologist, on the staff of
the Asia Museum, located in South Chicago.
After months of effort, he succeeded, one hot August afternoon, in
opening the box. But the death that lurked in it did not strike then.
It waited.
Morton was alone that night, in the basement of the museum,
trying to decipher the hieroglyphics engraved on the lid of the
box--hieroglyphics written in no known language--when the silence came.
The first sound to disappear was the rattle of the street cars on the
surface line a block distant.
Morton was too engrossed in his work to notice that he could no longer
hear the cars.
Then the soft rustle of the blower fan pushing cool air into the hot
basement went into silence.
He still didn't notice the cessation of sound, did not realize that
incredible death was creeping closer to him every second.
Even when the energetic tick of the alarm clock sitting on a mummy case
was no longer audible, Morton did not sense that death was near. He was
lost in his work.
But when he could no longer hear the scratch of his pen on the paper,
he realized that something was happening. He looked up.
Morton was a solidly built, craggy giant. His face burned a deep brown
by the sun of the Arabian desert, a shock of white hair that for days
was undisturbed by brush or comb, he sat in his chair, every sense
suddenly alert. His eyes raced over the room, seeking the cause of the
uncanny silence.
He saw nothing.
But he recognized the presence of danger and reached for the telephone.
It was the last move he ever made. As his fingers closed around the
instrument, the silence hit him.
It had the effect of a physical blow. The smack of a prizefighter's
fist would not have rocked him more. As he gasped one word into the
telephone, his body seemed to be lifted clear out of the chair. His
muscles, tensing involuntarily, hurled him upward, like a grotesque
jack-in-the-box that has been suddenly released. He hit the chair as he
fell, crashing it to the floor with him.
His body writhed, a slow, tortuous twisting. Muscles swelled in his
throat as he screamed in pain. But no sound came.
The threshing of his heavy body on the concrete floor produced no
sound. The scream was blotted into utter silence.
Public-domain text, read in full here on John Shaqi.
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