Over and over again the announcer was droning. "Calling all
cars--Calling all cars--Drop everything and be on the alert. Tragedy in
burlesque showhouse. Over three hundred people dead. Cause of death not
known. Manager went in to investigate sudden silence. Found audience
and cast of show dead. Bodies livid color, as if they had been burned.
Clothing falls to ashes when touched. Sergeant Kennedy of the homicide
division suggests there is a definite connection between the death of
these people and the death of the two Asian Museum archeologists last
night. Be on the alert. Take over main intersections and prevent panic.
Story already broken in general radio news flash. Cordon being thrown
around the theater area. All special details canceled, all squad cars
call your stations for definite orders--Be on the alert--Calling all
cars--"
Death was walking through Chicago, a horrible, incredible form of death.
Rocks Malone stood without moving, listening to the operator repeat his
message. He could scarcely conceive the meaning of the words. "Over
three hundred people dead--" Dim pictures flashed to his mind. Out of
nowhere, out of nothingness, silence had come. Three hundred people
had died. Before they knew what struck them, death had washed over
them. Millions of microscopic needles had plunged through their bodies,
points of agonizing pain. Then death--
Jerkily, the telephone rang. One of the officers grabbed it. He
listened, said "Okay," huskily, and turned to his fellows.
"Station calling. We're to report back there immediately for emergency
duty. They're calling us off here. Come on."
The radio was still droning as they went out.
The telephone rang again. It was Penny this time.
"I'm coming down there," she said, "I'm scared. I'm coming down there
with you."
"Stay away from here!" Rocks shouted. But she had already hung up.
Desperately, he tried to call her back. There was no answer. She had
already left. She was driving toward the museum, driving through a
night in which death lurked.
Rocks groaned. He went back to the basement. There was nothing he could
do. Nothing! The coffee pot was bubbling on its burner. He poured
himself a cup of the scalding brew. It burned his throat but it cleared
his head.
He went back to work. The language was out. He couldn't crack it. He
didn't even have time to try to crack it any more. But there were
Morton's notes. He hadn't studied them thoroughly. He had read only
those portions of the notes that dealt with the language. He began
to go over them again, starting with the section that dealt with the
discovery of the box.
Public-domain text, read in full here on John Shaqi.
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