Lady Charlotte put these changed conditions upon the behaviour of the military authorities to her brother, saying that the wonder was he did not shake the dust of his country from his feet. In her wise head she rejoiced to think he was not the donkey she sketched for admiration; and she was partly consoled, or played at the taking of a comfort needed in her perpetual struggle with a phantom of a fact, by the reflection that a young woman on his arm would tense him to feel himself more at home abroad. Her mind's habit of living warmly beside him in separation was vexed by the fixed intrusion of a female third person, who checked the run of intimate chatter, especially damped the fancied talk over early days--of which the creature was ignorant; and her propinquity to him arrested or broke the dialogue Lady Charlotte invented and pressed to renew. But a wife, while letting him be seen, would have insisted on appropriating the thought of him--all his days, past as well as present. An impassioned sister's jealousy preferred that it should not be a wife reigning to dispute her share of her brother in imagination. Then came a rumour, telling of him as engaged upon the composition of his Memoirs. Lady Charlotte's impulsive outcry: "Writing them?" signified her grounds for alarm. Happily, Memoirs are not among the silly deeds done in a moment; they were somewhere ahead and over the hills: a band of brigands rather than a homely shining mansion, it was true; but distant; and a principal question shrieked to know whether he was composing them for publication. She could look forward with a girl's pleasure to the perusal of them in manuscript, in a woody nook, in a fervour of partizanship, easily avoiding sight of errors, grammatical or moral. She chafed at the possible printing and publishing of them. That would be equivalent to an exhibition of him clean-stripped for a run across London--brilliant in himself, spotty in the offence. Published Memoirs indicate the end of a man's activity, and that he acknowledges the end; and at a period of Lord Ormont's life when the denial of it should thunder. They are his final chapter, making mummy of the grand figure they wrap in the printed stuff. They are virtually his apology. Can those knowing Lord Ormont hear him apologize? But it is a craven apology if we stoop to expound: we are seen as pleading our case before the public. Call it by any name you please, and under any attitude, it is that. And set aside the writing: it may be perfect; the act is the degradation. It is a rousing of swarms. His friends and the public will see the proudest nobleman of his day, pleading his case in mangled English, in the headlong of an out- poured, undrilled, rabble vocabulary, doubling the ridicule by his imperturbability over the ridicule he excites: he who is no more ridiculous, cried the partizan sister, conjuring up the scene, not an ace more ridiculous, than a judge of assize calling himself miserable sinner