Lord Ormont and His Aminta — Volume 5 — John Shaqi
Lord Ormont and His Aminta — Volume 5Meredith, George
General
Lord Ormont and His Aminta — Volume 5
Meredith, George
English fiction -- 19th century
Matthew Weyburn appeared the very Matey of the first of May cricketing
day among Cuper's boys the next morning, when seen pacing down the
garden-walk. He wore his white trousers of that happiest of old days--
the 'white ducks' Aminta and Selina remembered. Selina beamed. 'Yes, he
did; he always wore them; but now it's a frock-coat instead of a jacket.'
'But now he will be a master instead of a schoolboy,' said Aminta.
'Let us hope he will prosper.'
'He gives me the idea of a man who must succeed,' Selina said; and she
was patted, rallied, asked how she had the idea, and kissed; Aminta
saying she fancied it might be thought, for he looked so confident.
'Only not what the boys used to call "cocky,"' said Selina. 'He won't be
contemptuous of those he outstrips.'
'His choice of the schoolmaster's profession points to a modesty in him,
does it not, little woman?'
'He made me tell him, while you were writing your letters yesterday, all
about my brother and his prospects.'
'Yes, that is like him. And I must hear of your brother, "little
Collett." Don't forget, Sely, little Collett was our postman.'
The Countess of Ormont's humorous reference to the circumstance passed
with Selina for a sign of a poetic love of the past, and a present social
elevation that allowed her to review it impassively. She admired the
great lady and good friend who could really be interested in the fortunes
of a mere schoolmaster and a merchant's clerk. To her astonishment, by
some agency beyond her fathoming, she found herself, and hardly for her
own pleasure, pushing the young schoolmaster animatedly to have an
account of his aims in the establishment of the foreign school.
Weyburn smiled. He set a short look at Aminta; and she, conscious of her
detected diplomacy, had an inward shiver, mixed of the fascination and
repugnance felt by a woman who knows that under one man's eyes her
character is naked and anatomized. Her character?--her soul. He held it
in hand and probed it mercifully. She had felt the sweet sting again and
again, and had shrunk from him, and had crawled to him. The love of him
made it all fascination. How did he learn to read at any moment right to
the soul of a woman? Did experience teach him, or sentimental sympathy?
He was too young, he was too manly. It must be because of his being in
heart and mind the brother to the sister with women.
Thames played round them on his pastoral pipes. Bee-note and woodside
blackbird and meadow cow, and the fish of the silver rolling rings,
composed the leap of the music.
She gave her mind to his voice, following whither it went; half was in
air, higher than the swallow's, exalting him.
Public-domain text, read in full here on John Shaqi.
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