Fantasy literature; Short stories; Supernatural -- Fiction
The first time I ever saw a creature which was really outside ordinary
experience was in the late autumn of my twelfth year. My brother, next
in age to me, was nine, my eldest sister eight. We three had been out
walking with our mother, and were now returning at dusk to our tea
through a wood which covered the top of a chalk down. I remember
vividly the scene. The carpet of drenched leaves under bare branches,
the thin spear-like shafts of the underwood, the grey lights between,
the pale frosty sky overhead with the sickle moon low down in it. I
remember, too, various sensations, such as the sudden chill which
affected me as the crimson globe of the sun disappeared; and again
how, when we emerged from the wood, I was enheartened by the sight of
the village shrouded under chimney smoke and by the one or two
twinkling lights dotted here and there about the dim wolds.
In the wood it was already twilight and very damp. Perhaps I had been
tired, more likely bored--as I always was when I was not being
somebody else. I remember that I had found the path interminable. I
had been silent, as I mostly was, while the other two had chattered
and played about our mother; and when presently I stayed behind for a
purpose I remember that I made no effort to catch them up. I knew the
way perfectly, of course, and had no fear of the dark. Oddly enough I
had no fear of that. I was far less imaginative in the night than in
the day. Besides that, by the time I was ready to go after them I had
much else to think of.
I must have been looking at him for some time before I made out that
he was there. So you may peer into a thicket a hundred times and see
nothing, and then a trick of the light or a flutter of the mood and
you see creatures where you had been sure was nothing. As children
will, I had stayed longer than I need, looking and wondering into the
wood, not observing but yet absorbing the effects of the lights and
shades. The trees were sapling chestnuts if I am not mistaken, Spanish
chestnuts, and used for hop-poles in those parts. Their leaves decay
gradually, the fleshy part, so to speak, dropping away from the
articulation till at last bleached skeleton leaves remain and flicker
at every sigh of the wind. The ground was densely carpeted with other
leaves in the same state, or about to become so. The silver grey was
cross-hatched by the purple lines of the serried stems, and as the
view receded this dipped into blue and there lost itself. It was very
quiet--a windless fall of the light. To-day I should find it most
beautiful; and even then, I suspect, I felt its beauty without knowing
it to be so. Looking into it all without realising it, I presently and
gradually did realise something else: a shape, a creature, a thing of
form and pressure--not a wraith, not, I am quite certain, a trick of
the senses.
Public-domain text, read in full here on John Shaqi.
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