What do you think of his feet and hands? They startled me at first; they are so long and narrow, so bony and pointed, covered with fine short hair which shines like satin. That way he has of arching his feet and driving his toes into the pavement delights me. And see, too, that his hands are undistinguishable from feet: they are just as long and satiny. He is fond of smoothing his face with them; he brings them both up to his ears and works them forward like slow fans. Transformation indeed. I defy you to recognise him for the same man--except for a faint reminiscence about his tail. But all's of a piece. The crossing-sweeper now has shaggy legs which end in hoofs. His way of looking at young people is very unpleasant;--and one had always thought him such a kindly old man. The butcher's boy--what a torso!--is walking with his arm round the waist of the young lady in Number seven. These are lovers, you see; but it's mostly on her side. He tilts up her chin and gives her a kiss before he goes; and she stands looking after him with shining eyes, hoping that he will turn round before he gets to the corner. But he doesn't. Wait, now, wait, wait--who is this lovely, straining, beating creature darting here and there about the square, bruising herself, poor beautiful thing, against the railings? A sylph, a caught fairy? Surely, surely, I know somebody--is it?--It can't be. That careworn lady? God in Heaven, is it she? Enough! Show me no more. I will show you no more, my dear sir, if it agitates you; but I confess that I have come to regard it as one of the most interesting spectacles in London. The mere information--to say nothing of the amusement--which I have derived from it would fill a volume; but if it did, I may add, I myself should undoubtedly fill a cell in Holloway. I will therefore spare you what I know about the Doctor's wife, and what happens to Lieutenant-Colonel Storter when I see him through these windows--I could never have believed it unless I had seen it. These things are not done, I know; but observed in this medium they seem quite ordinary. Lastly--for I can't go through the catalogue--I will speak of the air as I see it from here. My dear sir, the air is alive, thronged with life. Spirits, forms, lovely immaterial diaphanous shapes, are weaving endless patterns over the face of the day. They shine like salmon at a weir, or they darken the sky as redwings in the autumn fields; they circle, shrieking as they flash, like swallows at evening; they battle and wrangle together; or they join hands and whirl about the square in an endless chain. Of their beauty, their grace of form and movement, of the shifting filmy colour, hue blending in hue, of their swiftness, their glancing eyes, their exuberant joy or grief I cannot now speak. Beside them one man may well seem rat, and another goat. Beside them, indeed, you look for nothing else. And if I go on to hint that the owner of these windows is of them, though