Adventure stories, American; American fiction -- 20th century; Short stories; Western stories
And in the morning it was quick breakfast, feed the dogs, load the sled,
and hit the trail. We said good-bye as we pulled out, and the woman
stood in the doorway and watched us off. I carried the vision of her
unearthly beauty away with me, just under my eyelids, and all I had to
do, any time, was to close them and see her again. The way was unbroken,
Surprise Lake being far off the travelled trails, and Lon and I took turn
about at beating down the feathery snow with our big, webbed shoes so
that the dogs could travel. “But you said you expected to meet Dave
Walsh at the cabin,” trembled on the tip of my tongue a score of times.
I did not utter it. I could wait until we knocked off in the middle of
the day. And when the middle of the day came, we went right on, for, as
Lon explained, there was a camp of moose hunters at the forks of the
Teelee, and we could make there by dark. But we didn’t make there by
dark, for Bright, the lead-dog, broke his shoulder-blade, and we lost an
hour over him before we shot him. Then, crossing a timber jam on the
frozen bed of the Teelee, the sled suffered a wrenching capsize, and it
was a case of make camp and repair the runner. I cooked supper and fed
the dogs while Lon made the repairs, and together we got in the night’s
supply of ice and firewood. Then we sat on our blankets, our moccasins
steaming on upended sticks before the fire, and had our evening smoke.
“You didn’t know her?” Lon queried suddenly. I shook my head.
“You noticed the colour of her hair and eyes and her complexion, well,
that’s where she got her name—she was like the first warm glow of a
golden sunrise. She was called Flush of Gold. Ever heard of her?”
Somewhere I had a confused and misty remembrance of having heard the
name, yet it meant nothing to me. “Flush of Gold,” I repeated; “sounds
like the name of a dance-house girl.” Lon shook his head. “No, she was
a good woman, at least in that sense, though she sinned greatly just the
same.”
“But why do you speak always of her in the past tense, as though she were
dead?”
“Because of the darkness on her soul that is the same as the darkness of
death. The Flush of Gold that I knew, that Dawson knew, and that Forty
Mile knew before that, is dead. That dumb, lunatic creature we saw last
night was not Flush of Gold.”
“And Dave?” I queried.
“He built that cabin,” Lon answered, “He built it for her . . . and for
himself. He is dead. She is waiting for him there. She half believes
he is not dead. But who can know the whim of a crazed mind? Maybe she
wholly believes he is not dead. At any rate, she waits for him there in
the cabin he built. Who would rouse the dead? Then who would rouse the
living that are dead? Not I, and that is why I let on to expect to meet
Dave Walsh there last night. I’ll bet a stack that I’d a been more
surprised than she if I _had_ met him there last night.”
Public-domain text, read in full here on John Shaqi.
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