Lost Sir Massingberd: A Romance of Real Life. v. 2/2 — John Shaqi
Lost Sir Massingberd: A Romance of Real Life. v. 2/2Payn, James
General
Lost Sir Massingberd: A Romance of Real Life. v. 2/2
Payn, James
Detective and mystery stories; Fiction
This remark brought back at once the immediate cause of their assembling
together, and I began to be made the victim of cross-examination. To
avoid being compelled to give my own opinion (which I had already begun
to think a slander) upon the matter in hand, I took my leave as quietly
as could be, and escaped, whither they dared not follow me, through the
griffin-guarded gates. All within was, as usual, silent and deserted. A
few leaves were still left to flutter down in eddies from the trees, or
hop and rustle on the frosty ground, but their scarcity looked more
mournful than utter bareness would have done. It was now the saddest
time of all the year; the bleak east wind went wailing overhead; and
underneath, the soil was black with frost. Instead of pursuing the
avenue to the frontdoor of the Hall, where, as it seemed, I was not
wanted, I took a foot-track to the left, which I knew led to that
bowling-green whither I had been previously invited by Sir Massingberd,
although I had not taken advantage of his rare courtesy. If he did now
appear, no matter in what state of mental irritation, he could scarcely
quarrel with me for doing the very thing he had asked me to do. Had I
known, however, the character of the place in which I found myself, I
should have reserved my visit for a less eerie and mysterious occasion.
The time of year, it is true, had no unfavourable influence upon the
scene that presented itself, for all was clothed in garments of thickest
green. Vast walls of yew shut in on every side a lawn of perfect
smoothness; everything proclaimed itself to belong to that portion of
the Hall property which was "kept up" by subsidy from without. The
quaint oak-seats, though old, were in good repair; the yew hedges
clipped to a marvel. Still nothing could exceed the sombre and funereal
aspect of the spot. It seemed impossible that such a sober game as
bowls could ever have been played there, or jest and laughter broken
that awful stillness. The southern yew-screen was in a crescent form, at
the ends of which were openings unseen from within the enclosed space.
Passing through one of these, I came upon what was called the Stone
Garden. It took its name from four stone terraces, from the highest of
which I knew that there must be a very extensive view. This space was
likewise covered with yew trees, clipped and cut in every conceivable
form, after the vile taste of the seventeenth century. There was
something weird in the aspect of those towering Kings and Queens--easily
recognizable, however, for what they were intended--and of those maids
of honour, with their gigantic ruffs and farthingales. One was almost
tempted to imagine that they had been human once, and been turned into
yew trees for their sins. The whole area was black with them; and a
sense of positive oppression, notwithstanding the eager air which caught
me sharply whenever I lost the shelter of one of these ungainly forms,
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account