Far below in the side-street a heavy, slow-trotting horse clattered
by. The motors were more and more hushed, even the hell of Broadway
subdued. A different set of sounds came home to him, but he did not
interpret for the present; their activity playing upon deeps of their
own--a bridge swung open between them and his exterior thoughts....
Slowly all exterior matters slipped away--the mother and Davy and
Bessie. The bridge between the surface and the deeps swung to, and he
heard the sounds that had been thrilling his real being all the time as
he sat by the window--the liner whistles that crossed Manhattan from
the harbour, the deep-sea bayings which seemed to be calling him home.
7
Bellair must have rested well in a few hours, for he arose early,
feeling very fit in and out. For years the man he had seen in the
glass when he was alone, had aroused little or no curiosity; a sort
of customary forbearance rather. The fact is, he had not looked close
for years. This morning as he shaved, something new regarded him from
the face, still deeply dark from the open boat. He called it a glint,
but would have designated it as something that had to do with power in
another. It was fixed--something earned and delivered.
Perhaps it was something she had seen.
This animated him. It had come from Fleury and the fasting, but most of
all from contemplating her face and her nature. Was it the arousing of
his own latent will? Was it because he was lifted above Lot & Company?
What part of it had come from the anguish of separation? Truly a man
must build something if he manages to live against the quickened beat
of a hungry heart.
The face was very thin, too. He had felt that so often as he used the
morning knife, but he saw it now. Thin and dark, and the boy gone
altogether.... Bellair smiled. Lot & Company had tried to take the
boy. Had they not failed, the man would never have come, but something
craven in the place of the boy, something tied to its own death, its
soul shielded from the light--a shield of coin-metals.
Public-domain text, read in full here on John Shaqi.
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