A mixed quartette presently broke into song behind him. Bellair’s
thoughts were far from song. He was not expectant of music that would
satisfy. Still something tugged him--again and again--until he really
listened, but without turning. It was the voice of the contralto
that was making an impression deep where his need was. There seemed
an endless purple background to it, like a night of stars and south
wind; the soft, deep volume rolled forth _for him_, and found itself
expressed without amazement or travail. He turned now. The one voice
was from the throat of a girl, just a girl, and though it was a gusty
November, she was still wearing her summer hat.
The face was merely pretty, but the voice was drama; flame of poppies
in the presence of a fabulous orchid. Bellair’s heart may have been
particularly sensitive to impression that night. The big brilliant
den known as _Brandt’s_ did not seem to have been cast into any
enchantment; and yet it was likely that Bellair knew as much about
music natively and by acquisition as any one present. In fact, he had
reached the state of appreciation which dares to enjoy that which
appeals and to say so, having endured for several winters a zeal which
rushed him from one to another musical event, intolerant of all save
classic symphonies. It wasn’t the music that held him now--a high
flowery operatic matter not particularly interesting nor well-done--but
the contralto was just a little girl, and the round girlish breast
which held nothing miraculous for the many, was sending forth tones
that quivered through Bellair, spine and thigh, and thrilling his mind
with a profound passion to do something for the singer--an intrinsic
and clean emotion, but one which made him ashamed. For an instant,
he felt himself setting out on the great adventure of his life, the
faintest aroma of its romance touching his senses; something akin to
his dreams in the prison of Lot & Company, and which he had not sensed
at all since his departure, until this instant. Quickly it passed; yet
he had the sense that this great romance had to do with the little
singer.
At once he wanted to take her from the other three; dreamed of working
for her, so that she might have the chance she craved. Of course,
she wanted something terribly; passionate want always went with such
a voice. He saw her future alone. Some vampire of a manager would
hear her. She would tie up--the little summer hat told him that. She
would tie up, and New York would take her bloom before the flower
matured--would take more than her little song. Here she was in
_Brandt’s_ already, and singing as if for the angels.
Public-domain text, read in full here on John Shaqi.
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