“But what we love best about him,” Miss Rinderley would say, glancing
at the enlarged photograph above his desk, “is the tireless way he
helps young men. Always he is at that. I have seen him talk here for
an hour--when the most pressing matters of criticism and editorial
responsibility called--literally giving himself to some one needing
help. Very likely he would miss his train for the country. Poor Mr.
Hardburg, he needs his rest so----”
The caller would cry in his heart, “What a superb old institution
this is!” and cover his own weaknesses and shortcomings in a further
sheath of mannerism and appreciation--the entire atmosphere strangely
prevailing to help one to stifle rather than to ventilate his real
points of view.
So the establishment moved. The groups of girls going up and down the
back stairs--to count or tie or paste through all their interesting
days--counted the heads of their respective departments as their
greatest men; spoke of them in awed whispers, in certain cases with
maternal affection, and on occasion even with playful intimacy on the
part of a few--but always as a master-workman, the best man in the
business, who expressed the poorest part of himself in words, and had
to be lived with for years adequately to be appreciated and understood.
Mr. Nathan Lot, the present head of the firm, was a dreamer. It was Mr.
Sproxley who had first told Bellair this, but he heard it frequently
afterward, came to recognise it as the accepted initial saying as
regarded the Head, just as his impeccable honour was Mr. Sproxley’s
and unerring critical instinct Mr. Hardburg’s titular association.
Mr. Nathan was the least quarrelsome man anywhere, the quietest and
the gentlest--a small bloodless man of fifty, aloof from business;
a man who had worn and tested himself so little that you would
imagine him destined to live as long again, except for the lugubrious
atmospheres around his desk, in the morning especially, the sense of
imperfect ventilation, though the partitions were but half-high to
the lower floor and there was a thousand feet to draw from. The same
was beginning in Jabez, the son, something pent, non-assimilation
somewhere. However Jabez wasn’t a dreamer; at least, dreaming had
not become his identifying proclivity. He was a head taller than
his father with a wide limp mouth and small expressionless brown
eyes--twenty-seven, and almost as many times a millionaire.
Jabez was richer than his father, who was the direct heir of the House
of Lot, but his father’s dreaming had complicated the flow of another
huge fortune in the familiar domestic fashion--Jabez being the symbol
and centre of the combination; also the future head of the House of Lot
and Company--up and down town.
Public-domain text, read in full here on John Shaqi.
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