Sometimes, when he observed a friend noticing with admiration, perhaps
with astonishment, the splendor or finish of his equipments, he would
say: “The world think I had a large fortune with Madame Phoebus. I had
nothing. I understand that a fortune, and no inconsiderable one, would
have been given had I chosen to ask for it. But I did not choose to
ask for it. I made Madame Phoebus my wife because she was the finest
specimen of the Aryan race that I was acquainted with, and I would have
no considerations mixed up with the high motive that influenced me.
My father-in-law Cantacuzene, whether from a feeling of gratitude or
remorse, is always making us magnificent presents. I like to receive
magnificent presents, but also to make them; and I presented him with a
picture which is the gem of his gallery, and which, if he ever part with
it, will in another generation be contended for by kings and peoples.
“On her last birthday we breakfasted with my father-in-law Cantacuzene,
and Madame Phoebus found in her napkin a check for five thousand pounds.
I expended it immediately in jewels for her personal use; for I wished
my father-in-law to understand that there are other princely families in
the world besides the Cantacuzenes.”
A friend once ventured inquiringly to suggest whether his way of
life might not be conducive to envy, and so disturb that serenity of
sentiment necessary to the complete life of an artist. But Mr. Phoebus
would not for a moment admit the soundness of the objection. “No,” he
said, “envy is a purely intellectual process. Splendor never excites
it; a man of splendor is looked upon always with favor—his appearance
exhilarates the heart of man. He is always popular. People wish to dine
with him, to borrow his money, but they do not envy him. If you want
to know what envy is, you should live among artists. You should hear
me lecture at the Academy. I have sometimes suddenly turned round and
caught countenances like that of the man who was waiting at the corner
of the street for Benvenuto Cellini, in order to assassinate the great
Florentine.”
Public-domain text, read in full here on John Shaqi.
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