It was impossible for Lothair in his present condition to have fallen
upon a more suitable companion than Mr. Phoebus. It is not merely
change of scene and air that we sometimes want, but a revolution in the
atmosphere of thought and feeling in which we live and breathe. Besides
his great intelligence and fancy, and his peculiar views on art and
man and affairs in general, which always interested their hearer, and
sometimes convinced, there was a general vivacity in Mr. Phoebus and a
vigorous sense of life, which were inspiriting to his companions. When
there was any thing to be done, great or small, Mr. Phoebus liked to do
it; and this, as he averred, from a sense of duty, since, if any thing
is to be done, it should be done in the best manner, and no one could do
it so well as Mr. Phoebus. He always acted as if he had been created
to be the oracle and model of the human race, but the oracle was never
pompous or solemn, and the model was always beaming with good-nature and
high spirits.
Mr. Phoebus liked Lothair. He liked youth, and good-looking youth; and
youth that was intelligent and engaging and well-mannered. He also liked
old men. But, between fifty and seventy, he saw little to approve of in
the dark sex. They had lost their good looks if they ever had any,
their wits were on the wane, and they were invariably selfish. When they
attained second childhood, the charm often returned. Age was frequently
beautiful, wisdom appeared like an aftermath, and the heart which seemed
dry and deadened suddenly put forth shoots of sympathy.
Mr. Phoebus postponed his voyage in order that Lothair might make his
preparations to become his guest in his island. “I cannot take you to a
banker,” said Mr. Phoebus, “for I have none; but I wish you would share
my purse. Nothing will ever induce me to use what they call paper money.
It is the worst thing that what they call civilization has produced;
neither hue nor shape, and yet a substitute for the richest color, and,
where the arts flourish, the finest forms.”
The telegraph which brought an order to the bankers at Malta to give an
unlimited credit to Lothair, rendered it unnecessary for our friend to
share what Mr. Phoebus called his purse, and yet he was glad to have the
opportunity of seeing it, as Mr. Phoebus one morning opened a chest in
his cabin and produced several velvet bags, one full of pearls, another
of rubies, others of Venetian sequins, Napoleons, and golden piastres.
“I like to look at them,” said Mr. Phoebus, “and find life more intense
when they are about my person. But bank-notes, so cold and thin—they
give me an ague.”
Public-domain text, read in full here on John Shaqi.
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