CHAPTER 16 Lothair began to meditate on two great ideas—the
reconciliation of Christendom, and the influence of architecture on
religion. If the differences between the Roman and Anglican Churches,
and between the papacy and Protestantism generally arose, as Father
Coleman assured him, and seemed to prove, in mere misconception,
reconciliation, though difficult, did not seem impossible, and appeared
to be one of the most efficient modes of defeating the atheists. It was
a result which, of course, mainly depended on the authority of Reason;
but the power of the imagination might also be enlisted in the good
cause through the influence of the fine arts, of which the great mission
is to excite, and at the same time elevate, the feelings of the
human family. Lothair found himself frequently in a reverie over Miss
Arundel’s ideal fane; and, feeling that he had the power of buying up
a district in forlorn Westminster, and raising there a temple to the
living God, which might influence the future welfare of millions,
and even effect the salvation of his country, he began to ask himself
whether he could incur the responsibility of shrinking from the
fulfilment of this great duty.
Lothair could not have a better adviser on the subject of the influence
of architecture on religion than Monsignore Catesby. Monsignore Catesby
had been a pupil of Pugin; his knowledge of ecclesiastical architecture
was only equalled by his exquisite taste. To hear him expound the
mysteries of symbolical art, and expatiate on the hidden revelations
of its beauteous forms, reached even to ecstasy. Lothair hung upon his
accents like a neophyte. Conferences with Father Coleman on those points
of faith on which they did not differ, followed up by desultory remarks
on those points of faith on which they ought not to differ—critical
discussions with Monsignore Catesby on cathedrals, their forms, their
purposes, and the instances in several countries in which those forms
were most perfect and those purposes best secured—occupied a good deal
of time; and yet these engaging pursuits were secondary in real emotion
to his frequent conversations with Miss Arundel in whose society every
day he took a strange and deeper interest.
She did not extend to him that ready sympathy which was supplied by
the two priests. On the contrary, when he was apt to indulge in those
speculations which they always encouraged, and rewarded by adroit
applause, she was often silent, throwing on him only the scrutiny
of those violet yes, whose glance was rather fascinating than apt to
captivate. And yet he was irresistibly drawn to her, and, once recalling
the portrait in the gallery, he ventured to murmur that they were
kinsfolk.
“Oh! I have no kin, no country,” said Miss Arundel. “These are not times
for kin and country. I have given up all these things for my Master!”
“But are our times so trying as that?” inquired Lothair.
Public-domain text, read in full here on John Shaqi.
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