England -- Social life and customs -- 19th century -- Fiction; Man-woman relationships -- Fiction; Wives -- Fiction
"Good morning," said the doctor, cheerily. "Haven't been waiting long,
have you? Now come with me, and I'll introduce you to the guitar."
"Is it in here?" I asked, as we entered the warehouse.
"It is up in a room high above the store. I hope you don't mind stairs.
The fact is that Messrs. Harkaby are good people, and are kind enough
to give a poor old piano-tuner a shelter for his head. He won't need
it much longer; he is going fast. The other day he asked me if I knew
any one who would care to have his guitar? I told him I would find
somebody, and now I am keeping my word."
He did not tell me that he himself was the best friend that the dying
man possessed; but as I followed him up those long flights of stairs,
I quickly guessed the truth. One might know Doctor Warstone for years
without finding out one quarter of the good that he did every day.
Often and often I have heard clergymen extolled to the skies for doing
splendid things which a doctor does naturally and simply, never getting
a word of praise. They are great men, these doctors who toil in our
large towns—cheerful in the midst of sorrow, quick to help, prompt to
save. And to this day, when any one talks about an ideal hero, the face
of Doctor Warstone rises up in my memory, and I think of all the noble
deeds, known and unknown, that this quiet worker has done.
We got at length to the top of the last flight, and paused before a
door on the landing.
"I will go in first," the doctor said, "and prepare Monsieur Léon for
your coming. You will not mind waiting here for a few moments while I
speak to my patient?"
[Illustration]
CHAPTER VI.
THE GUITAR.
THERE was a window on the landing, commanding a fine view of roofs and
chimney-pots, and I stood watching little white clouds sailing swiftly
across the blue April sky. I could hear the doctor's deep voice in the
sick room, and then a faint tone in reply. At length the door opened,
and I was bidden to enter.
The room was large, and looked lighter and more airy than London rooms
generally do. There was a light paper on the walls, and some kind hand
had pinned up several coloured engravings, which made the sick chamber
look something like a nursery. The invalid was sitting in an easy chair
stuffed with pillows, and placed near a bright fire. Resting against
the arm of the chair, just within reach of the sick man's hand, was the
guitar.
The doctor quietly introduced us to each other; and Monsieur Léon's
eyes, looking strangely brilliant in his worn face, seemed to flash me
a glance of welcome. He was very ill; the pinched features and hollow
cheeks told a pathetic tale of long suffering; but the smile, that came
readily and brightly, was full of courage and sweetness. Evidently
Monsieur Léon was not to be daunted by the approach of death.
Public-domain text, read in full here on John Shaqi.
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