England -- Social life and customs -- 19th century -- Fiction; Man-woman relationships -- Fiction; Wives -- Fiction
"I was just wondering," he answered, "where I had first heard it. It
seems to be an echo of something that I knew years and years ago. And
yet, I could fancy that it came out of my own brain, just as your
verses come out of yours."
"But I heard it from Monsieur Léon this morning," I said, "and it had a
strange effect upon me."
"Did the Frenchman play it? Then, depend upon it, I have got it from
some old music book that I have not seen for ages. Only I can't
remember playing it on my old guitar."
"You never did," I replied. "I know all that you play. Poor Monsieur
Léon has laid his spell upon those strings!"
"You are getting fanciful, Louie," he said, looking wonderingly at me
through the mist of twilight.
"Perhaps I am. Monsieur Léon's talk to-day was fanciful; it might have
been that his mind was wandering. He said that the guitar sometimes
spoke to him of things that he could not understand, and then he played
that very air. It is an air that needs a poem to interpret its meaning."
"Well, why don't you write one?" Ronald asked. "I will try to play it
again."
He did play it again. And once more I felt the influence of the soft
gladness—the faint, sweet triumph that was expressed in the melody. But
when he paused, I shook my head.
"It goes beyond me," I confessed. "I can find no words that will
harmonise with that air. It leaves me with an inexplicable longing to
find out its true meaning; but I think I shall never know it."
"I have had that feeling once or twice in my life," said Ronald,
musingly. "I remember a winter afternoon when I was waiting for a train
in a strange town, and strolled into an old church to pass away the
time. Some one was playing on the organ—a voluntary, perhaps—and the
music came drifting along the empty aisles. I stood just inside the
west door, and listened, trying to find out what it meant. But I could
not tell."
"Let us put the guitar away now," I entreated, catching the tone of
weariness in his voice. "You have been sitting up quite long enough,
dear, and there is a bright fire in the next room. What a chilly spring
it is! This evening is as cold as winter."
For a wonder he complied meekly with my request, and walked from the
parlour into the bed-chamber with his arm round my shoulders. In a
little while he was in a sound sleep, his head resting quietly on the
pillow, while I moved gently about the room and put things in order for
the night.
I was too tired to sit long over my needlework, although a piled up
work-basket reminded me that there was plenty of mending to be done.
But, sleepy as I really was, that mysterious melody was still haunting
my brain, and I found myself trying to set words to it unawares. Only
fragments of rhyme came to me; bits of verses never to be finished; and
at last I endeavoured to forget the air altogether. Yet even in slumber
it came back, and again I saw Monsieur Léon's thin face and brilliant
eyes, and heard his parting blessing.
Public-domain text, read in full here on John Shaqi.
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