England -- Social life and customs -- 19th century -- Fiction; Man-woman relationships -- Fiction; Wives -- Fiction
"I don't mean that he was not in earnest." The widow was still smiling
at me across her teacup. "But he must have been terribly deficient in
tact. You were in the dullest of country places; you saw nobody, and
went nowhere. Under such circumstances, I don't see how any decent man
could have failed to win you. My brother used to be rather fastidious
about curates, so I suppose your admirer was presentable."
"Decidedly presentable and good-looking; but I got tired of him and his
face."
"What was the matter with his face?"
"Nothing; but it was a face that had no story in it."
Lady Waterville held out her cup for more cream, and then looked at me
with a slight shake of the head.
"I know you now," she said. "Louie, you are just the kind of girl who
will marry badly or not marry at all."
I laughed gaily.
"What an awful prophecy, Lady Waterville!" I cried.
"Do you know what it is that writes the story on a man's face?"
she went on. "I will tell you—folly, extravagance, sin, and bitter
repentance."
I grew graver as I listened. Was she thinking of the very face that
I was silently picturing at that moment? Despite her laziness, Lady
Waterville possessed the faculty of observation; perhaps she saw all
the more of life because she was wholly unoccupied. Her eyes were
always at liberty; never being bent on crewelwork or patchwork, they
studied human countenances in a leisurely fashion, and it is possible
that they discovered a good many little secrets. I felt my cheeks
beginning to burn.
"Give me another cup of tea, my dear," she said, speaking in quite
a different tone. "The last was not sweet enough. How well those
buttercups suit you!"
I had fastened a cluster of large water-buttercups into my bodice,
and I thoroughly appreciated the widow's kindness in looking at them,
and taking no notice of my blushes. She was talking on in a pleasant,
rambling way, and I was gradually getting cool again, when the page
threw open the door and announced Mr. Greystock.
William Greystock came in, dark, bland, inscrutable as he always was.
He had black eyes, deep-set, and black hair, closely cropped, that lay
in thick ripples over his head. As he wore no moustache, there was
nothing to veil the hard outline of his thin lips and prominent chin;
and I thought then (as I think now) that his was the strongest and most
cruel profile I had ever seen in all my life.
He talked well and fluently; admired Lady Waterville's flowers, and
even deigned to praise my humble buttercups. I told him that I had
bought them of a little girl in the street, just because they reminded
me of my old home; and then he asked me if I had not lately written
some verses about the country.
My cheeks grew hot again. Lady Waterville looked with an amused glance
from William Greystock's face to mine.
"I did not know that Miss Coverdale ever wrote poetry," she said to
him. "Pray, how did you find it out?"
Public-domain text, read in full here on John Shaqi.
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