Louis XIV and La Grande Mademoiselle, 1652-1693Barine, Arvède
History
Louis XIV and La Grande Mademoiselle, 1652-1693
Barine, Arvède
Louis XIV, King of France, 1638-1715; Montpensier, Anne-Marie-Louise d'Orléans, duchesse de, 1627-1693
One single indication of what Louis XIV. thought at the bottom of his
soul is possessed; a letter from the King to Colbert, who knew all.
Mademoiselle had prayed Mme. de Montespan to solicit some favour for
Lauzun. The King charged Colbert to reply for him (October, 1681): "You
will politely explain to her that I always receive the marks of her
friendship and confidence with pleasure, and that I am very vexed when
it is not possible to do what she desires, but at this time I can do no
more than I have already done."[295] Did he believe the mistress
innocent or had he pardoned her?
The first preoccupation of Lauzun, in returning to the world, must have
been to make clear to himself through legitimate or illegitimate means
the chronology of the King's love affairs, a history so essential for
the comprehension of the interior life of the Court.
The main facts for this record have been already given in the preceding
chapter. The returned prisoner had afterwards to learn all that
Mademoiselle had accomplished for him during his captivity, and of what
the public thought of her efforts, and he recognised that no one in
France except Segrais doubted the fact of their marriage. That the
marriage had taken place before his imprisonment was the prevalent
belief, which was never really shaken. It again came to light in the
eighteenth century. The historian Anquetil saw at Treport, in 1744, an
old person of more than seventy years of age, who resembled the
portraits of the Grande Mademoiselle and did not know from whence came
her pension.[296] This person believed herself to be the daughter of the
Duchesse de Montpensier, and local tradition confirmed this conviction.
There were, however, no absolute proofs, and it will be seen further on
how this question of the marriage with Lauzun is brought up over and
over again in the biography of the Grande Mademoiselle, with a monotony
slightly fatiguing and without it being possible to ever obtain a clear
response.
Public-domain text, read in full here on John Shaqi.
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