The _ensemble_ was imposing, never smiling. Saint-Fargeau, long uninhabited, was almost a ruin filled with rats at the time when Mademoiselle presented herself as a fugitive. She was shown into a room with a prop in the centre. Coming from the palace of the Tuileries, this sight overwhelmed her, and made her realise the depth of her fall. She had an access of despair: "I am most unfortunate to be absent from Court, to have only a dwelling as ugly as this, and to realise that this is the best of my chateaux." Her fear became terror when she discovered that doors and windows were lacking. A report came from a valet that she was sought for imprisonment, and she was too confused to reflect that if the King had ordered her arrest locks would have been useless. [Illustration: =ANNE MARIE LOUISE D'ORLEANS, DUCHESSE DE MONTPENSIER= From the enamel by Petitot in the South Kensington Museum] She continued her journey to reach a little chateau, situated two leagues from Saint-Fargeau, which was reported safer. "Imagine," says she, "with what pleasure I made the extra journey. I had risen two hours before daylight; I had ridden twenty-two miles upon a horse already worn out with previous travel. We arrived at our destination at three in the morning; I went to bed in haste." The crisis was short. The next day it was explained to Mademoiselle that Saint-Fargeau had two exits in case of alarm. She returned in consequence on the fourth day, and there was no more question of grief, nor even ill-temper; from that moment the place was "good and strong." The Princess adapted herself to the glassless windows, the broken ceilings, the absence of doors, and all the rest. The great ladies of the seventeenth century were fortunately not too particular. Mademoiselle encamped in a cellar while the apartment above was being repaired, and was forced to borrow a bed. She recovered all her gaiety before the comicality of the situation: "for the first cousin of the King of France." "Happily for me," wrote she, "the bailiff of the chateau had been recently married; therefore he possessed a new bed." The bed of Madame the Bailiff was the great resource of the chateau. It was returned as soon as the Princess received her own from Paris, but it was again used to give a resting-place to the Christmas guests, many of whom appeared--a fact to the credit of the French nobility--as soon as it was known where the illustrious unfortunate was passing her period of banishment.