London (England) -- Fiction; Love stories; Man-woman relationships -- Fiction; May-December romances -- Fiction; Theater -- Fiction
He looked at her ruefully. Then his face lit up. ‘Sundays,’ he said
eagerly. ‘Sundays I’m free. He’s religious, and won’t play on Sundays.
Couldn’t I----?’
‘There aren’t any <i>matinées</i> on Sunday,’ she said.
‘No but couldn’t I come and see you? Come and call?’
‘Hush,’ she said, lifting her hand as the music of the second act began.
And at the end this time too, before he could say a word, while he was
still struggling with his coat, she slipped away as usual after nodding
good night.
The next time, however, he was more determined, and began at once. It
seemed to him that he had been thinking of her without stopping, and it
was absurd not to know anything at all about a person one thinks of as
much as that, except her name and that her husband was dead. It was of
course a great stride from blank knowing nothing; and that her husband
should be dead was such a relief to him that he couldn’t help thinking
he must be falling in love. All husbands should be dead, he
considered,--nuisances, complicators. What would have happened if George
had been alive? Why, he simply would have lost her, had to give up at
once,--before, almost, beginning. And he was so lonely, and she
was--well, what wasn’t she? She was so like what he had been dreaming of
for years,--a little ball of sweetness, and warmth, and comfort, and
reassurance and love.
The next time she came, then, the minute she appeared he went over to
where she sat and began. He was going to ask her straight out if he
might come and see her, fix that up, get her address; but she chanced to
be late that night, and hardly had he opened his mouth when the lights
were lowered and she put up her hand and said ‘Hush.’
It was no use trying to say what he wanted to say in a whisper, because
the faithful, though few, were fierce, and would tolerate nothing but
total silence. Also he was much afraid she herself preferred the music
to anything he might have to say.
He sat with his arms folded and waited. He had to wait till the very end
of the act, because though he tried again when the curtain went down
between its two scenes, and only the orchestra was playing, he was
shoo’d quiet at once by the outraged faithful.
She, too, said, putting up her hand, ‘Oh, hush.’
He began to feel slightly off <i>The Immortal Hour</i>. But at last the whole
act was over and the lights were up again. She turned her flushed face
to him, the music still shining in her eyes. She was always flushed and
her eyes always shone at the end of the love scene; nor could he ever
see that lovely headlong embrace of the lovers without feeling
extraordinarily stirred up. God, to be embraced like that.... He was
starving for love.
‘Isn’t it marvellous,’ she breathed.
‘Are you ever going to let me come and see you?’ he asked, without
losing another second.
She looked at him a moment, collecting her thoughts, a little surprised.
‘Of course,’ she then said. ‘Do. Though----’ She stopped.
‘Go on,’ he said.
Public-domain text, read in full here on John Shaqi.
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